Art History 278 - Race and Gender in the History of Photography
RACE & GENDER:HIST/PHOTOGRAPHY
Fall
2020
01
4.00
Kathleen Pierce
TTh 10:55-12:10
Smith College
10789-F20
REMOTE
kpierce@smith.edu
This course introduces the history of photography, emphasizing the ways photographs represent,
mediate, construct, and communicate histories of race, gender, sex, sexuality, intimacy, and desire. We
will study a variety of photographic images, from the dageurreotype to digital media, from
ne arts photography to vernacular images. We will consider objects that have forged connections among loved ones, substantiated memories, or served as evidence, considering critical questions about
photography’s relationship to identity, affect, knowledge production, and power. The course focuses on
race and gender, and also attends closely to photography’s relationship to identity broadly speaking,
including class, ability, and religion. Group B
mediate, construct, and communicate histories of race, gender, sex, sexuality, intimacy, and desire. We
will study a variety of photographic images, from the dageurreotype to digital media, from
ne arts photography to vernacular images. We will consider objects that have forged connections among loved ones, substantiated memories, or served as evidence, considering critical questions about
photography’s relationship to identity, affect, knowledge production, and power. The course focuses on
race and gender, and also attends closely to photography’s relationship to identity broadly speaking,
including class, ability, and religion. Group B