Film Studies 692S - S- The Sociology of Film

A survey of film and media studies texts of Marxist, neo- and post-Marxist inspiration: the writings of SM Eisenstein, Walter Benjamin, Bertolt Brecht, the Frankfurt School (esp. Theodor Adorno, Max Horkheimer), Ernst Bloch, Roland Barthes, Raymond Williams, Fredric Jameson, Jacques Ranciere, Paul Coates, Lynn Spigel, John MacKay, Michael Cramer. Films under scrutiny will include early Soviet cinema, classical Hollywood genre films (High Noon and Johnny Guitar), European New Wave films (from France, Poland, the Soviet Union), New Hollywood popular fare (e.g. Jaws and The Godfather), as well as more recent productions. After looking at case studies discussed in the reading, we will apply a sociological and/or Marxist grid of interpretation to contemporary films from the US, Russia, Poland, South Korea, and others.

This course is cross listed with Comp-Lit 692S. You can enroll on the Comp-Lit course if the Film Studies course is full.