Art History 350 - SEM:ARTS IN ENGLAND, 1485-1714

Constitutional limits on monarchical power, the embrace of Protestantism, religious intolerance and fanaticism, revolution and regicide, and a much vaunted (when not exaggerated and misleading) insularity, set the stage in England for patterns of patronage and a relationship to the visual arts both similar to and significantly different from modes established in Continental absolutist courts. While critically examining the perennial notion of "the Englishness of English art," we shall study the careers of the painters, printmakers, sculptors, architects, and landscape designers whose collective efforts made English art, at long last, one to be reckoned with.

Instructor Permission. Not open to first-years, sophomores