(Offered as ARHA 157, ARCH 157, and BLST 193 [D]) This course engages the buildings, cities, and landscapes of the former colonies of Africa, South Asia, and the Caribbean. Beginning with the independence of India and Pakistan in 1947, the non-European territories, which once comprised the lucrative possessions of modern European empires, quickly became independent states charged with developing infrastructure, erecting national monuments, and handling the influx of laborers drawn to the metropolises formed as sleepy colonial towns grew into bustling postcolonial cities.

(Offered as ARHA 152, ARCH 152 and ASLC 142) This course, a gateway class for the study of art history and architectural studies, introduces the art, architecture, and urban planning of the Islamic world, from the origins of Islam in the seventh century to the contemporary moment. Among the questions we will pose are: When, how, and why was the Qur’an first copied as a written text? Why does the Dome of the Rock in Jerusalem, completed in 691–2 A.D., closely resemble Christian churches and shrines from the same period?

This Arabic Language course is designed to further promote the development of advanced level proficiency in all four language skills according to the American Council on the Teaching of Foreign Languages (ACTFL) Proficiency Guidelines. It aims to achieve that objective by training students to use more precise vocabulary, to be able to make more complicated arguments, and to begin to engage in abstract topics in the context of a rich cultural component.

A continuation of ARAB 301, this year-long course continues the study of Modern Standard Arabic. The course concentrates on all four skills: reading, writing, speaking, and listening. Students will read and discuss authentic texts by writers throughout the Arab world. Topics address a variety of political, social, religious, and literary themes and represent a range of genres, styles, and periods.

Requisite: ARAB 301 or equivalent. Spring Semester. Limited to 18 students. Five College Senior Lecturer Hassan.

This is a continuation of Second-Year Arabic I. We will complete the study of the Al-Kitaab II book sequence along with additional instructional materials. In this course, we will continue perfecting knowledge of Arabic integrating the four skills: speaking, listening, reading, and writing using a communicative-oriented, proficiency-based approach.

This is a continuation of First-Year Arabic I. We will complete the study of the Elementary Arabic Al-Kitaab book sequence along with additional instructional materials. Emphasis will be on the integrated development of all language skills – reading, writing, listening and speaking – using a communicative-oriented, proficiency-based approach.

Independent reading course. A full course.

Fall and spring semesters. The Department.

The aim of this advanced seminar is to introduce students to a selection of major concepts, theories, and debates inspiring, informing, and disrupting anthropology today. The central themes of this year’s seminar will include, among others: affect, materiality, borders, sovereignty and citizenship, multispecies ethnography, and decolonization. Alongside these themes, the course will also explore “ethnography” as simultaneously a method of inquiry, mode of theory-making, and genre of writing.

A general survey of writings that have played a leading role in shaping the modern fields of cultural and social anthropology. Beginning with a discussion of the impact of Darwin and the discoveries at Brixham Cave on mid-nineteenth century anthropology, the course surveys the theories of the late-nineteenth-century cultural evolutionists. It then turns to the role played by Franz Boas and his students and others in the advent and later development of cultural anthropology in the U.S.

(Offered as ANTH 241 and FAMS 378) This course will explore and evaluate various visual genres, including photography, ethnographic film, and museum presentation as modes of anthropological analysis—as media of communication facilitating cross-cultural understanding. Among the topics to be examined are the ethics of observation, the politics of artifact collection and display, the dilemma of representing non-Western “others” through Western media, and the challenge of interpreting indigenously produced visual depictions of “self” and “other.”