Artists vs. Audiences

Usually, an artist produces a work, and then an audience experiences that work. However, sometimes audiences influence what a work means and even how an ongoing story unfolds. This course focuses on works of popular, serialized art in which the possibilities for artist/audience interaction are great, and so is the potential for conflict. We look at serial novels, film series, television shows, and new media (such as TikTok), among others. What are the rights of artists to control their works? What rights do audiences have to alter or create new works based on an existing work?

Critical Latinx/Indigeneities

As an evolving field, Latina/o Studies has begun to critically and comparatively question the terms of Indigeneity in relation to Native communities in the U.S. land mass. This course seeks to understand the emergence of critical Latinx/Indigenous perspectives as they relate to Latinas/os/xes in the United States, and their uneven connections to various transnational forms of Indigeneity rooted in ancestral land-based ties in the United States, Mexico, and Central and South America.

Critical Latinx/Indigeneities

an evolving field, Latina/o Studies has begun to critically and comparatively question the terms of Indigeneity in relation to Native communities in the U.S. land mass. This course seeks to understand the emergence of critical Latinx/Indigenous perspectives as they relate to Latinas/os/xes in the United States, and their uneven connections to various transnational forms of Indigeneity rooted in ancestral land-based ties in the United States, Mexico, and Central and South America.

Dinosaurs

The first dinosaur fossils to be recognized in North America, footprints of the creatures, were found in South Hadley. The very first dinosaur species described by a woman researcher, and one of the most ancient dinosaur species in the United States (Podokesaurus holyokensis), was discovered close to the Mount Holyoke campus.

Race, Gender & Sexual Aesthet

Reading across a spectrum of disciplinary focuses (e.g. philosophies of aesthetics, post-structural feminisms, Black cultural studies, and queer of color critique) this course asks the question what is the nature of aesthetics when it negotiates modes of difference? This course explores the history and debates on aesthetics as it relates to race, gender, and sexuality with particular emphasis on Black diaspora theory and cultural production.

Travel, Self, Identity

With the discovery of a maritime route between Europe and India in 1498, an increasing number of Europeans traveled to South Asia, for commerce, on missionary activity, to collect plants, and as part of colonial enterprises. From about 1600, South Asian elites, and, later, anti-colonial leaders, soldiers, and students, among others, journeyed in the opposite direction. Tracing a long history of cross-cultural contact, this seminar examines the role of travel in fashioning notions of self and "other".

Migration, Identity & Place

In 2015, Germany opened its borders to over a million asylum-seekers. The ensuing debates about German national belonging, identity, and rights often overlook the contributions of immigrants, refugees, and displaced persons throughout Europe since the Thirty Years' War (1618-1648). Indeed, migrants continue to shape European and German cultures today.

Love/Sex/Death in Anthropocene

The "Anthropocene" has been defined as the era when humans exert change on the earth's climate, but this term has become a dynamo for theories, political discussions, and art about man's anthropocentric relation to the nonhuman world. This course will read theories of the Anthropocene alongside artistic contemplations of the shifting, ethical relations among humans, animals, and other beings of the world. How are we to live, die, and reproduce ourselves in a time when we have egregiously affected the earth?
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