A continuation of ARAB 301, this year-long course continues the study of Modern Standard Arabic. The course concentrates on all four skills: reading, writing, speaking, and listening. Students will read and discuss authentic texts by writers throughout the Arab world. Topics address a variety of political, social, religious, and literary themes and represent a range of genres, styles, and periods.

Requisite: ARAB 301 or equivalent. Spring Semester. Limited to 18 students. Five College Senior Lecturer Hassan.

This is a continuation of Second-Year Arabic I. We will complete the study of the Al-Kitaab II book sequence along with additional instructional materials. In this course, we will continue perfecting knowledge of Arabic integrating the four skills: speaking, listening, reading, and writing using a communicative-oriented, proficiency-based approach.

This is a continuation of First-Year Arabic I. We will complete the study of the Elementary Arabic Al-Kitaab book sequence along with additional instructional materials. Emphasis will be on the integrated development of all language skills – reading, writing, listening and speaking – using a communicative-oriented, proficiency-based approach.

Independent reading course. A full course.

Fall and spring semesters. The Department.

The aim of this advanced seminar is to introduce students to a selection of major concepts, theories, and debates inspiring, informing, and disrupting anthropology today. The central themes of this year’s seminar will include, among others: affect, materiality, borders, sovereignty and citizenship, multispecies ethnography, and decolonization. Alongside these themes, the course will also explore “ethnography” as simultaneously a method of inquiry, mode of theory-making, and genre of writing.

A general survey of writings that have played a leading role in shaping the modern fields of cultural and social anthropology. Beginning with a discussion of the impact of Darwin and the discoveries at Brixham Cave on mid-nineteenth century anthropology, the course surveys the theories of the late-nineteenth-century cultural evolutionists. It then turns to the role played by Franz Boas and his students and others in the advent and later development of cultural anthropology in the U.S.

(Offered as ANTH 241 and FAMS 378) This course will explore and evaluate various visual genres, including photography, ethnographic film, and museum presentation as modes of anthropological analysis—as media of communication facilitating cross-cultural understanding. Among the topics to be examined are the ethics of observation, the politics of artifact collection and display, the dilemma of representing non-Western “others” through Western media, and the challenge of interpreting indigenously produced visual depictions of “self” and “other.”

If a tree falls in a forest and no one is around to hear it, does it make a sound? A provisional answer from the field of sound studies is: no, the falling tree produces vibration, but does not make a sound absent a listening, hearing human subject. Take another step, and we arrive at ethnomusicologist John Blacking’s time-honored (but not unproblematic) definition of music as “humanly organized sound” and “soundly organized humanity.” In this course, we linger at the intersections of sound and music, listening and hearing to learn about the human.

(Offered as SWAG 231 and ANTH 232) Using primary and secondary materials as well as documentaries and feature films, this course explores conceptualizations and representations of race and sex in health and medicine. We begin by looking at the histories of race and sex in Western science. We will examine gendered and racialized pathologies, such as hysteria and drapetomania, and consider how scientific thought intersects with larger political and economic movements. We will then move into a discussion of the uses of race and sex in contemporary biomedicine.

How can anthropology help us understand the cultural assumptions, empirical knowledge, and causal and interpretive theories underlying science fiction and related genres such as fantasy, magical realism, and social science fiction? How can anthropology help writers of such genres draw on more valid and plausible assumptions, knowledge, and theories as they build fictional worlds and characters?