Theory I

Rudiments, notation, two-voice counterpoint, harmony and voice leading, analysis by score and sound of music literature from various style periods, original composition. Prerequisite: music major standing or by placement test.

Literature Of Music

Introduction to style analysis through listening to masterworks; basic concepts and practice of listening for ethnic and/or historical styles in music; the application of style-analytic listening to performance, criticism, and musical commentary. Prerequisite: ability to read music. (Gen.Ed. AT)

Literature Of Music

Introduction to style analysis through listening to masterworks; basic concepts and practice of listening for ethnic and/or historical styles in music; the application of style-analytic listening to performance, criticism, and musical commentary. Prerequisite: ability to read music. (Gen.Ed. AT)

Appreciation-Intro

Survey of music of the European classical tradition. Music fundamentals, forms, and styles from the Medieval period to the 20th century. Listening to representative recordings of various stylistic periods. Concert attendance outside class time required. (Gen.Ed. AT)

Appreciation-Intro

Survey of music of the European classical tradition. Music fundamentals, forms, and styles from the Medieval period to the 20th century. Listening to representative recordings of various stylistic periods. Concert attendance outside class time required. (Gen.Ed. AT)

Lively Arts

Weekly lectures by guest artists and faculty, group discussions in residence halls and Fine Arts Center classrooms, attendance at Fine Arts Center Performing Arts Series events, Department of Music and Dance events, and University Museum of Contemporary Art exhibitions. Presents an international perspective emphasizing cultural and social diversity. Topics include elements and styles of Western European "classical" music; artistic expression of African-American culture in jazz; styles, choreography and production of dance; theater; photography and visual art.

Perform Wkshp Singrs

Performance, solo and ensemble. Satisfies ensemble requirement for vocal applied music. Use of opera ensemble literature to achieve ease, confidence, and some command of the stage as actors as well as singers. Class and public performance. Pre-requisites: Applied Voice, audition, and consent of director.
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