Film, a dominant entertainment form in the twentieth century, has faced sweeping changes in the twenty-first. Digital technologies have widely replaced film cameras and projectors, theatrical exhibition continues to decline as audiences watch movies on ever-smaller screens, and the list of other entertainment forms competing for the public’s attention grows longer each year.

Film, a dominant entertainment form in the twentieth century, has faced sweeping changes in the twenty-first. Digital technologies have widely replaced film cameras and projectors, theatrical exhibition continues to decline as audiences watch movies on ever-smaller screens, and the list of other entertainment forms competing for the public’s attention grows longer each year.

This course introduces students to FMS through units that pair scholarly approaches with influential media forms: the Aesthetics of Film, the History of Television, and the Technologies of Digital Media. Through these units, students ask: what human desires animate a relationship with media? For what purposes have people invented and evolved these technologies? How do makers use them, and what are audiences seeking in them? These questions help students see the fundamental forces that unite film, television, and digital media alongside the elements that distinguish them from each other.

This course introduces students to FMS through units that pair scholarly approaches with influential media forms: the Aesthetics of Film, the History of Television, and the Technologies of Digital Media. Through these units, students ask: what human desires animate a relationship with media? For what purposes have people invented and evolved these technologies? How do makers use them, and what are audiences seeking in them? These questions help students see the fundamental forces that unite film, television, and digital media alongside the elements that distinguish them from each other.

This course introduces students to FMS through units that pair scholarly approaches with influential media forms: the Aesthetics of Film, the History of Television, and the Technologies of Digital Media. Through these units, students ask: what human desires animate a relationship with media? For what purposes have people invented and evolved these technologies? How do makers use them, and what are audiences seeking in them? These questions help students see the fundamental forces that unite film, television, and digital media alongside the elements that distinguish them from each other.

This course introduces students to FMS through units that pair scholarly approaches with influential media forms: the Aesthetics of Film, the History of Television, and the Technologies of Digital Media. Through these units, students ask: what human desires animate a relationship with media? For what purposes have people invented and evolved these technologies? How do makers use them, and what are audiences seeking in them? These questions help students see the fundamental forces that unite film, television, and digital media alongside the elements that distinguish them from each other.

This class introduces students to Iyengar method, focusing on balancing and aligning body and mind while developing strength, flexibility, endurance and optimal structural alignment. The method also develops self-awareness, intelligent evaluation, confidence and inward reflection. Students are introduced to a range of postures (asana) and breathing practices (pranayama) that address their own individual needs in addition to learning special sequences relieving symptoms of stress, fatigue and physical pain.