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Historical overview of the development of computer art and the significant events leading to the development of the field. Projects include hands-on experience with computer imaging for use in the creation of fine art. Prerequisite: completion of foundation courses or consent of instructor.

This class explores digital image manipulation using the printmaking technique of Photopolymer Gravure within the context of contemporary art practice. Independent projects will be assigned involving a sustained inquiry in to self-selected themes.

This course explores, through demonstrations and technical assignments, the creative possiblities of digital image creation and manipulation using primarily Photoshop, and the printmaking technique of Photopolymer Gravure processes.

Advanced work in traditional and contemporary drawing media. Independent exploration of graphic problems. Solutions to problems sought in relation to student's personal objectives.

Study of formal and informal painting procedures. Focus on development of form as content. Information provided regarding painting processes and associated materials. Related contemporary and historical theoretical issues also included. Prerequisites: Art 521, 522, or consent of instructor.

Thematic development based upon the study of objects, the environment, human figure and non-objective vocabularies. Related contemporary and historical issues included. Group and individual critiques used to develop continuity of work.

Description not available

First half of a two-semester sequence. With studio. Principles and applications of computer animation using Crater and Alias Maya software in film, video, music, and technology. Introduction to 2D and 3D animation programs. Skills acquired in preparation for production in second semester. Emphasis on professionalism and quality. Prerequisites: ART 271, 297Q. Should be followed by 397, 3D Computer Animation.

Description not available at this time.