Black Women's Narratives

(Offered as WAGS 202  and BLST 242 [US].)  Love, courtship, and putting a “ring on it” continue to be a central concern in African American women's literature and contemporary black popular culture.  Do these thematic issues around matrimony signal apolitical yearnings or an allegory for political subjectivity?  In this course we will examine what gender, race, class, and sexuality reveal about the politics of marriage and family.  Surveying the growing discourse in media outlets such as CNN and The Washington Post regarding the "crisis" o

Black Sexualities

(Offered as BLST 236 [US] and WAGS 330)  From the modern era to the contemporary moment, the intersection of race, gender, and class has been especially salient for people of African descent—for men as well as for women. How might the category of sexuality act as an additional optic through which to view and reframe contemporary and historical debates concerning the construction of black identity? In what ways have traditional understandings of masculinity and femininity contributed to an understanding of African American life and culture as invariably heterosexual?

Colnl & Pst Colnl Afric

(Offered as HIST 181 [AF] and BLST 221 [A].) This is a history of Africa from the late nineteenth century to the present day. In the first half of the course, we will study the imperial scramble to colonize Africa; the broader integration of African societies into the world economy; the social, political and medical impact of imperial policies; Western popular images of Africa in the colonial period; the nationalist struggles that resulted in the independent African states; and the persistent problems faced by those post-colonial states.

African Cultrs/Societies

(Offered as ANTH 226 and BLST 216 [A].) This course explores the cultural meaning of indigenous African institutions and societies. Through the use of ethnographies, novels and films, we will investigate the topics of kinship, religion, social organization, colonialism, ethnicity, nationalism and neocolonialism. The principal objective is to give students an understanding of African society that will enable them better to comprehend current issues and problems confronting African peoples and nations.


Limited to 50 students. Spring semester.  Professor Goheen.

Women Writers of Africa/Diaspora

(Offered as Black Studies 203 [D] and WAGS 203.) The term "Women Writers" suggests, and perhaps assumes, a particular category.  How useful is this term in describing the writers we tend to include under the frame?  And further, how useful are the designations African and African Diaspora?  We will begin by critically examining these central questions, and revisit them frequently as we read specific texts and the body of works included in this course.  Our readings comprise a range of literary and scholarly works by canonical and more recent female writers from

Debate in Black Studies

[R] In this course students will focus closely on major debates that have animated the field of Black Studies, addressing a wide range of issues from the slave trade to the present. Each week will focus on specific questions such as: What came first, racism or slavery? Is African art primitive? Did Europe underdevelop Africa? Is there Caribbean History or just history in the Caribbean? Should Black Studies exist? Is there a black American culture? Is Affirmative Action necessary? Was the Civil Rights Movement a product of government action or grass-roots pressure?

Survey of African Art

(Offered as ARHA 149 and BLST 123 [A].)  An introduction to the ancient and traditional arts of Africa. Special attention will be given to the archaeological importance of the rock art paintings found in such disparate areas as the Sahara and South Africa, achievements in the architectural and sculptural art in clay of the early people in the area now called Zimbabwe and the aesthetic qualities of the terracotta and bronze sculptures of the Nok, Igbo-Ukwe, Ife and Benin cultures in West Africa, which date from the second century B.C.E. to the sixteenth century C.E.

Intro to Black Studies

[R] This interdisciplinary introduction to Black Studies combines the teaching of foundational texts in the field with instruction in reading and writing. The first half of the course employs How to Read a Book by Mortimer Adler and Charles Van Doren as a guide to the careful reading of books focusing on the slave trade and its effects in Africa, the Caribbean, and the United States. Important readings in this part of the course include Black Odyssey by Nathan Huggins, Racism: A Short History by George Frederickson, and The Black Jacobins by C. L. R.

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