This course will provide instruction of, and guided practice in, the basics of the art and craft of sound design for theater. It will explore the fundamental tools and processes essential to conceptualizing and implementing both the content of a sound design and the sound system for delivery of that content. At the end of the course, students will master the assembly and operation of simple sound systems, and an ability to interpret basic sound-system documentation.

Studio. Study of "seeing": concentration on the articulation of visual pictures developed from a dramatic text and on research; functions and qualities of light and the development of lighting concepts. Practical application of design through specific crew assignments on Department productions.

Theory and practice of stage direction; attention to work with actors and stage space for conveying theatrical in-formation. Assigned scenes and exercises.

Script analysis and development of vocal and physical performance in the building of effective stage characteriza-tions. Improvisations and scenes.

Studio. Development of the actor's physical resources through movement analysis and practice. Specific theatrical problems in: mask, theatrical clown, status improvisation, character portrayal. Prerequisites: THEATER 140, consent of instructor. Clothing allowing freedom of movement required.

Trends in theatrical practice from the end of the 19th century to the present; emphasis on surrealism, expressionism, absurdism, and performance art.

Advanced production assignments as stage manager, house manager, designer, or crew chief for major department productions. Credit by approved contract only. May be repeated for credit.

Not available at this time

Not available at this time

Training of the actor's voice using a progression of psycho-physical exercises developed by Kristin Linklater. Emphasis on freeing the body and voice from habitual tensions and patterns. Prerequisites: THEATER 140, consent of instructor.