Intro Cultural Anthropology

What does it mean to be human? What is culture, and how does it shape the way humans see the world? Why are some forms of cultural difference tolerated, while others are not? As the holistic study of the human experience, cultural anthropology addresses these questions in a world shaped by human migration, climate change, capitalist extraction and global inequality.

Race,Gender,Comedy/Amer Cultr

Comedy has been a primary site for enacting and contesting citizenship in the United States. This course presents a history of comedy from the nineteenth century to the present to analyze the role of humor in shaping racial and gender stereotypes, as well as expressions of solidarity, resistance and joy among marginalized groups. Case studies include blackface minstrelsy, stand up comedy, sit-coms, satirical news, social media posts and cancel culture debates.

Intro to American Studies

This course provides an introduction to American Studies through the interdisciplinary study of American history, life and culture. Students develop critical tools for analyzing cultural texts (including literature, visual arts, music, fashion, advertising, social media, buildings, objects and bodies) in relation to political, social, economic and environmental contexts. The course examines the influence of race, ethnicity, class, gender, sexuality and transnationality on conceptions of citizenship, and struggles over what it means to be an “American,”

Intro Human Rights Africa

This course provides an introduction to understanding the concept and practice of human rights in Africa, including comprehending the historical context of these issues. In this regard, several questions are addressed including: What are human rights? Within the African context, are human rights universal or relative? Are human rights viewed as individual or collective in Africa? What is the international framework that affects the enforcement of human rights in Africa? What are the regional and national regimes for safeguarding human rights in Africa?

Sem: Classic Black Texts

This course looks closely at a series of canonical black texts. The intention is to examine these texts in their specific historical context with careful attention to their place within Africana intellectual history. This course either focuses on a series of intensive investigations of a set of major texts within Africana studies, or it operates thematically.

Sem: Writing Blackness

Learn how to bring expertise in black history and culture into the public sphere. This Calderwood Seminar challenges students in an intimate workshop setting to grow as writers. Throughout the semester, students build a writing portfolio that might include op-eds, book reviews, journal article reviews, coverage of public talks, movie reviews and interviews with Africana studies scholars.

Seminar: Black Magic

What is the role of magic, supernaturalism and psychic power in the lives of Africana people? This seminar critically interrogates how race, coloniality, sexuality and gender shape the social construction of the paranormal through narratives, representations and belief systems invoked by people of African descent.

Black Autobiography

This course examines the U.S. Black autobiographical tradition from the eighteenth century to the present. “Autobiography” is constituted broadly to include slave narratives, memoirs, travelogues, poems, speeches, sketches and essays. The class explores questions of form, genre, publication history, narrative voice, language, audience and other literary markers. Students examine the narratives' socio-political, historical and economic milieus.

Caribbean Cultural Thought

The course introduces students to the main theoretical interpretations of culture in the Caribbean and gives an overview of Caribbean cultural history. Students are expected to analyze the impact of colonialism, race, class, gender and sexuality in the formation of Caribbean cultural practices, and to interpret cultural expression in its broadest political sense. Key theoretical terms that are central to any understanding of Caribbean cultural thought – the plantation, diaspora, creolization – are addressed in detail in the course.

T-The Black Archive

Why has the construction of archives that center on the experiences of people of African descent been so critical to black political, cultural and social life? What do black archives look like and what do they offer? How do they expand the way the archives are considered in general? This course seeks to address these questions by examining the conception and development of black archives, primarily, although not exclusively, as they arose in the United States across the twentieth century. Enrollment limited to 20.
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