Senior Honors

Research in an area relevant to neuroscience, under the direction of a faculty member, and preparation of a thesis based upon the research.

Spring semester. The Committee.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: Emphasis on independent research and writing.

Pleasure and Addiction

​This course will explore the brain mechanisms underlying motivated behaviors and the dysfunctions that can lead to addictive and compulsive behaviors. Why can some people be casual gamblers while others are hooked into a spiral of addiction after just one betting experience? Are these the same brain circuits as those affected by drugs, and can we look to them to also understand eating disorders, pathological social media use, etc.? The course will use a neurobiological orientation to study the neurocircuitry and neurochemistry underlying addiction in its many forms.

Senior Honors

Advanced work for Honors candidates in music history and criticism, music theory, ethnomusicology, composition, or performance. A thesis, a major composition project or a full-length recital will be required. No student shall elect more than one semester as a double course. A double course.

Spring semester. The Department.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: n/a

Senior Honors

Advanced work for Honors candidates in music history and criticism, music theory, ethnomusicology, composition, or performance. A thesis, a major composition project or a full-length recital will be required. No student shall elect more than one semester as a double course. A full course.

Spring semester. The Department.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: n/a

Special Topics

Independent reading course. A half course.

Fall and spring semesters. The department.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: n/a

Special Topics

Independent reading course. A full course.

Fall and spring semesters.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: n/a

Researching Music and Sound

How can I participate in the conversations about music and sound I am studying? This seminar creates space for students to answer that question by experiencing a range of music and sound research in the context of the liberal arts. Our focus is on students developing research projects that can lead to thesis work, summer fellowship and internship opportunities, and other new directions in their intellectual and artistic lives.

Jazz Composition

Drawing from the rich and varied history of composition in jazz, this course explores composing and arranging approaches in jazz and highlights the dynamic relationship between composition and improvisation central to this music. Using historical examples as models, students will compose and arrange small ensemble, large ensemble, and big band pieces, including pieces that incorporate blues forms, 32-bar Tin Pan Alley forms, modalism, extended and through-composed forms, and open improvisation. Immersive composition projects will be combined with individual meetings.

Composition Seminar II

A continuation of MUSI 387. One class meeting per week and weekly private conferences. This course may be repeated. Spring 2023 will focus on song covers and arrangements.

Requisite: MUSI 269 or the equivalent and consent of the instructor. Spring semester. Professor Sawyer.

How to handle overenrollment: null

Jazz Theory & Improvs II

A continuation of MUSI 213, this course is designed to acquaint students with the theory and application of advanced techniques used in jazz improvisation. Work on a solo transcription will be a main focus throughout the semester. An end-of-semester performance of material(s) studied during the semester will be required of the class. A jazz-based ear-training section will be scheduled outside of the regular class times. Two class meetings per semester.

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