Offered as WRT 136 and ENG 136. In this intellectually rigorous writing class, students will learn how to craft compelling "true stories," using the journalist’s tools. They will research, report, write, revise, source, and share their work—and, through interviewing subjects firsthand, understand how other people see the world. We will consider multiple styles and mediums of journalism, including digital storytelling. Students should focus their attention and effort on academic exposition and argumentation before learning other forms of writing. Prerequisite: One WI course.

This class explores the contemporary “remix culture” to ask pressing questions about creativity, originality and identity. Students explore the remix as a necessary tool for cultural transformation and look at our own experience of race, gender, sexual orientation, class and ability as an opportunity to reimagine and transform old ideas. They will make a case for the remix as a place for critical updates to our culture and discuss the possibilities of how remixing contributes to a richer production of cultural ideas.

How people speak – the words they choose, the way they structure their sentences, the pitch of their voices, even their gender while speaking – is constantly judged by those around them. Examining the interaction of gender and language leads to questions, such as how does gender shape the way people use language, how does gender affect others’ perceptions of speech (both written and verbal), what variation occurs across cultures with regards to gender and language? This course uses the topic of language and gender to expand upon and improve rhetorical and writing skills.

How people speak – the words they choose, the way they structure their sentences, the pitch of their voices, even their gender while speaking – is constantly judged by those around them. Examining the interaction of gender and language leads to questions, such as how does gender shape the way people use language, how does gender affect others’ perceptions of speech (both written and verbal), what variation occurs across cultures with regards to gender and language? This course uses the topic of language and gender to expand upon and improve rhetorical and writing skills.

In the era of rapid climate change, global migration, enormous income disparities driven by capitalism’s greed for profit and a pandemic that disproportionately affects Black, Brown and low-income people, the future has become an urgent concern. Although media reports can feel apocalyptic, this concern has also inspired visions of a world free from capitalism, police and injustice. This course delves into innovative, liberating responses to this moment of crisis, including Black feminist lessons from marine mammals and Indigenous peoples’ restorative responses to climate change.

Nietzsche called maturity the rediscovered seriousness of a child at play. What is the meaning of comedy in light of this “seriousness of the child at play?” Why do we laugh, at what and in what way? How do we distinguish silly comedy from serious comedy? This course examines such questions on comic platforms including film, music, videos, short stories and cartoons.

This course presents a variety of practices and positions within the field of literary theory. Approaches include structuralism, poststructuralism, psychoanalysis, Marxism, gender and queer studies, cultural studies and postcolonial studies. Emphasis on the theory as well as the practice of these methods: their assumptions about writing and reading and about literature as a cultural formation. Readings include Freud, Lacan, Levi-Strauss, Barthes, Derrida, Foucault, Bakhtin, Gramsci, Bhabba, Butler, Said, Ngugi wa Thiong’o, Zizek.

Offered as RES 273 and WLT 273. How did the "final frontier" of space become a "front" in the Cold War? As the US and USSR competed in the Space Race, science fiction reflected political discourses in literature, film, visual art and popular culture. This course explores Russian and Western science fiction in the contexts of twentieth-century geopolitics and artistic modernism (and postmodernism), examining works by Bogdanov, Kubrick, Tarkovsky, Butler, Haraway, Pelevin and others.

A study of the major writers and diverse literary traditions of Africa, with emphasis on the historical, political, social and cultural contexts of the emergence of writing, reception and consumption. We pay particular attention to several questions: in what contexts did modern African literature emerge? Is the term "African literature" a useful category? How do African writers challenge Western representations of Africa? How do they articulate the crisis of postcoloniality? How do women writers reshape our understanding of gender and the politics of resistance?