(Offered as ARHA 110 and CHEM 110.)  This interdisciplinary course is focused on exploring color through the lenses of science, culture and art. We will study how we perceive color down to the molecular level and how it impacts us as viewers. The course will seek to develop a broad, shared, set of topics that will allow students to weave together scientific and artistic concepts, rather than isolate them. As it is possible to approach color from many different disciplines, we encourage any interested student, regardless of academic focus, to register.

Departments may offer a course known as SPECIAL TOPICS in which a student or a group of students study or read widely in a field of special interest. It is understood that this course will not normally duplicate any other course regularly offered in this curriculum and that the student will work in this course as independently as the instructor thinks possible. A Special Topics course may be elected in any semester. The course should be given a unique name that will be recorded on the student’s transcript.

(Offered as AMST 368, BLST 368 and ENGL 368) History has long valorized passive, obedient, and long-suffering African American women alongside assertive male protagonists and savants. This course provides an alternative narrative to this representation by exploring the ways in which African American female characters, writers, and artists have challenged ideals of stoicism and submission. Using an interdisciplinary focus, we will critically examine transgression across time and space in diverse twentieth- and early twenty-first century literary, sonic, and visual texts.

(Offered as AMST 361, BLST 361, and ENGL 276) Through a close reading of texts by African American authors, we will critically examine literary form and technique alongside the representation of race, gender, sexuality, and class. Coupled with our explication of poems, short stories, novels, and literary criticism, we will explore the stakes of adaptation in visual culture. Students will analyze the film and television adaptations of twentieth-century fiction. Authors will include Toni Morrison, Lorraine Hansberry, Alice Walker, and Gloria Naylor.

(Offered as MUSI 227 and BLST 344 [US]) One of two courses that trace the development of jazz from its emergence in early 20th-century New Orleans to its profound impact on American culture. This course explores the emergence of bebop in the 1940s, the shift of jazz's relationship with American popular culture after World War II, and the dramatic pluralization of jazz practice after the 1950s. We will also look at the emergence of fusion and the jazz avant-garde of the 1960s and 1970s, and theorize the reformulation of "tradition" during the 1980s.

(Offered as SOCI 334 and BLST 336 [US])  Being “white” is typically treated as a default identity in the United States, yet whiteness remains relatively unexamined as a source of accumulated institutional advantages and cultural entitlements. This course will interrogate prevailing constructions of whiteness, examining its origins as a racial category, its function as group identity and source of individual meaning-making, and its role in reproducing racial hierarchy.

(Offered as HIST 283 [AF/TE/TS/P] and BLST 322) The transition from white-minority rule in South Africa in 1994 ushered in a new era of independence and democracy in a troubled country whose name had become synonymous with “apartheid.” The last bastion of white-supremacist rule in Africa had fallen. But that transition has not lived up to the high expectations of South Africans as many of the ruling structures built by the colonial and then apartheid regimes have endured.