This course explores the genre of Experimental Film and Video with a critical eye toward the history and current articulations of this form of production in both feature film and short form movies and videos. The course begins with an introduction to the genre, then explores Experimental Film; video according to three different categories: Experimentation with Narrative, Experimentation with Structure/Form, and Experimentation with the line between Fact and Fiction.

Semiotics is the study of meaning within society. It deepens our understanding of culture, communication and philosophy, and provides us with a theoretical and practical framework for analyzing the world. The course will introduce and develop the semiotic approach, using literature, politics, film, TV, music, and our everyday surroundings and conversations.

We will view, analyze, and discuss films from the recent past and present from a filmmaker?s perspective, along with some limited hands-on work in pre-production techniques. Students will view, analyze, and critique works from modern documentary masters such as Betsy West & Julie Cohen ("RBG"), Michael Moore ("Where to Invade Next"), Questlove ("Summer of Soul"), Robert Kenner ("Food Inc."), and others to further their understanding of the documentarian's art and craft.

We will view, analyze, and discuss films from the recent past and present from a filmmaker?s perspective, along with some limited hands-on work in pre-production techniques. Students will view, analyze, and critique works from modern documentary masters such as Betsy West & Julie Cohen ("RBG"), Michael Moore ("Where to Invade Next"), Questlove ("Summer of Soul"), Robert Kenner ("Food Inc."), and others to further their understanding of the documentarian's art and craft.

An examination of the art, craft, and business of screenwriting from theoretical and practical perspectives. Topics include screenplay format and structure, story, plot and character development, dialog and scene description, visual storytelling, pace and rhythm, analysis of professional and student scripts and films.

An examination of the art, craft, and business of screenwriting from theoretical and practical perspectives. Topics include screenplay format and structure, story, plot and character development, dialog and scene description, visual storytelling, pace and rhythm, analysis of professional and student scripts and films.

Why do we put certain films into categories? What constitutes a film genre, how do we recognize it, and what do we do with it? This course examines these questions and more by considering a specific genre over the course of the semester. We will learn to think of genre as a way of comparing and contrasting different films. Genre will also be thought of as a way of creating expectations and measuring experience and meaning. The power of film genre is that it allows us to understand film as a text and film as a social practice at the very same time.

Why do we put certain films into categories? What constitutes a film genre, how do we recognize it, and what do we do with it? This course examines these questions and more by considering a specific genre over the course of the semester. We will learn to think of genre as a way of comparing and contrasting different films. Genre will also be thought of as a way of creating expectations and measuring experience and meaning. The power of film genre is that it allows us to understand film as a text and film as a social practice at the very same time.

A hands-on introduction to single-camera filmmaking using digital video camcorders and non-linear editing. Production assignments will foster student skills in the art of visual storytelling: from pre-production, shot composition and lighting to continuity editing and post production audio.

This course combines reading and discussion with application of theoretically informed methods in the study of everyday social interaction. We will: 1) Read and discuss representative studies of social interaction and communicative behavior in cultural context. 2) Do graduated classroom and field exercises to assemble methodological tools and accumulate data for your final paper. The final paper will be based on accumulated data - especially recordings and transcripts - from your field site. Satisfies the Integrative Experience requirement for BA-Comm majors.