Introduction to Japanese literature from around 1600 to present. Alternating between reading poetry and prose and viewing classics of Japanese film. Discussion of the construction of love and death during centuries of national seclusion and in the era of Western influence. Focus on changing gender relations and on the status of discriminated against minorities. Conducted in English. No prerequisites. (Gen.Ed. AL)

Introduction to Japanese literature from around 1600 to present. Alternating between reading poetry and prose and viewing classics of Japanese film. Discussion of the construction of love and death during centuries of national seclusion and in the era of Western influence. Focus on changing gender relations and on the status of discriminated against minorities. Conducted in English. No prerequisites. (Gen.Ed. AL)

Introduction to Japanese literature from around 1600 to present. Alternating between reading poetry and prose and viewing classics of Japanese film. Discussion of the construction of love and death during centuries of national seclusion and in the era of Western influence. Focus on changing gender relations and on the status of discriminated against minorities. Conducted in English. No prerequisites. (Gen.Ed. AL)

An introduction to modern standard Japanese, designed to help students to develop basic skills in speaking, listening, reading, and writing. No prerequisites.

An introduction to modern standard Japanese, designed to help students to develop basic skills in speaking, listening, reading, and writing. No prerequisites.

An introduction to modern standard Japanese, designed to help students to develop basic skills in speaking, listening, reading, and writing. No prerequisites.

Not available at this time

Course taught in English. This course examines the films of Pier Paolo Pasolini, alongside with some of his poems and essays on film, to understand the contemporary relevance, 100 years after his birth, of his critique of capitalist society and cultural homologation, pivoting on the radicalization of his sexual and ideological diversity and of an idea of cinema as recovering the experience of "poetry."