(Offered as RELI 385, ASLC 385 and ENGL 301) 

(Offered as ENGL 287 and FAMS 212) This course is designed to introduce students to key issues in film studies, focusing on the history of American cinema from 1895 to 1960. We will pay particular attention to the “golden age” of Hollywood, with forays into other national cinemas by way of comparison and critique. Screenings will range from actualities and trick films, to the early narrative features of D. W.

(Offered as ENGL 278 and BLST 212 [A]) This course will examine how African writers incorporate digital technologies into their work when they publish traditional print texts, experiment with digital formats, or use the internet to redefine their relationship to local and international audiences. We will reflect on how words and values shift in response to new forms of mediation; on the limits these forms place on the bodies they represent, and on the protections they occasionally offer.

An introduction to the study of the novel, through the exploration of a variety of critical terms (plot, character, point of view, tone, realism, identification, genre fiction, the book) and methodologies (structuralist, Marxist, feminist, psychoanalytic). We will draw on a selection of novels in English to illustrate and complicate those terms; possible authors include Jane Austen, Mary Shelley, Wilkie Collins, Henry James, Kazuo Ishiguro, Thomas Pynchon, Toni Morrison, John Edgar Wideman, Emma Donoghue, David Foster Wallace, Monique Truong, Jennifer Egan.

[Before 1800] Readings in the comedies, histories, and tragedies, with attention to their poetic language, dramatic structure, and power in performance. Texts and topics will vary by instructor.

Limited to 50 students. Fall semester. Professor Bosman.

A first course in writing fiction. Emphasis will be on experimentation as well as on developing skill and craft. Workshop (discussion) format.

Admission with consent of the instructor. Limited to 15 students. Fall and spring semesters. Lecturer D. Sweeney.

(Offered as THDA 270 and ENGL 222) This course explores key aspects of writing for the theater in a workshop style, from a transcultural perspective. Through writing exercises, analysis of scenes, feedback sessions, and the rewriting of materials produced, participants will experience the creative process and start developing their own voice as playwrights.

Open to first-year students with consent of the instructor. Limited to 18 students. Fall semester. Visiting Artist Carneiro.

A first workshop in the writing of poetry. Class members will read and discuss each others’ work and will study the elements of prosody: the line, stanza forms, meter, free verse, and more. Open to anyone interested in writing poetry and learning about the rudiments of craft. Writing exercises weekly.

Admission with consent of the instructor. Limited to 12 students. Fall semester: Visiting Writer Kapur. Spring semester: Merrill Visiting Poet Amy Dryansky. 

(Offered as ENGL 182, EDST 182 and FAMS 182) How has childhood been imagined across the twentieth century and into our own present? Since the Victorian era, childhood and the experience of being a child have been associated with innocence (and experience), nostalgia (and regret), and a simpler (while deeply complex) time of life. Yet across literature and media, childhood is constructed after the fact, by adults whose perceptions are shaped by their understanding of childhood as a distinct and discrete set of experiences.