In this course, we study the role played by money, banking, and financial markets in the modern economy, with a particular emphasis on how financial intermediation facilitates exchange and how financial conditions promote (or inhibit) economic activity. Specific topics include stock and bond markets, financial institutions and banking regulation, central banking and monetary policy, international finance, and financial crises.

This course examines methods used by psychologists to understand the  psychology of individual personalities. The primary focus is on three psychological assessment tools: the Early Memories Procedure, the Thematic Apperception Test, and the traditional interview. Students will take these devices themselves, read the theory behind them, examine case studies by prominent psychologists using these devices, and conduct their own interpretations of responses given by college students and by psychotherapy patients.

In this course, we will be studying the relationship between the national acceleration toward war and the imaginative activities of US writers between 1830 and 1865. Through our readings of Emerson, Douglass, Melville, Stowe, Whitman, Jacobs, and others, we will learn about what happened over the course of those 35 years and, at the same time, learn from the examples of those extraordinary writers.

[TE/TR/^C] Participants in this seminar will explore the environmental and social histories of nine commodities: sugar, silver, silk, coffee, tobacco, sneakers, microchips, units of bandwidth, and the human body. Each of these commodities represents a complex array of linkages among producers, consumers, and intermediaries over time and space. Readings draw upon the disciplines of history, ecology, anthropology, and geography to place these commodities in their social, environmental, and spatial contexts.

(Offered as ARHA 221 and FAMS 221) This introductory course is designed for students with no prior experience in video production. The aim is both technical and creative. We will begin with the literal foundation of the moving image—the frame—before moving through shot and scene construction, lighting, sound-image concepts, and final edit. In addition to instruction in production equipment and facilities, the course will also explore cinematic form and structure through weekly readings, screenings and discussion.

(Offered as ARHA 221 and FAMS 221) This introductory course is designed for students with no prior experience in video production. The aim is both technical and creative. We will begin with the literal foundation of the moving image—the frame—before moving through shot and scene construction, lighting, sound-image concepts, and final edit. In addition to instruction in production equipment and facilities, the course will also explore cinematic form and structure through weekly readings, screenings and discussion.

This course will begin with a description of the motion of particles and introduce Newton’s dynamical laws and a number of important force laws. We will apply these laws to a wide range of problems to gain a better understanding of the laws and to demonstrate the generality of the framework. The important concepts of work, mechanical energy, and linear and angular momentum will be introduced and the unifying idea of conservation laws will be discussed. Additional topics may include, the study of mechanical waves, fluid mechanics and rotational dynamics.

Through class discussion, debates, and frequent short papers, students develop effective skills in self-expression, analysis, and interpretation. Literary texts, articles on current events, and films are studied within the context of the changing structures of French society and France’s complex relationship to its recent past. Assignments include both creative and analytic approaches to writing. Some grammar review as necessary, as well as work on understanding spoken French using video materials. Highly recommended for students planning to study abroad. 

The study of vector spaces over the real and complex numbers, introducing the concepts of subspace, linear independence, basis, and dimension; systems of linear equations and their solution by Gaussian elimination; matrix operations; linear transformations and their representations by matrices; eigenvalues and eigenvectors; and inner product spaces. This course will feature both proofs and applications, with special attention paid to applied topics such as least squares and singular value decomposition. Four class hours per week, with occasional in-class computer labs.

With a focus on the skills of close reading and analytical writing, we will look at the ways in which writers imagine illness, how they try to make meaning out of illness, and how they use illness to explore other aspects of experience. This is not a course on the history of illness or the social construction of disease. We will discuss not only what writers say about illness but also how they say it: with what language and in what form they speak the experience of bodily and mental suffering.