A study of the analysis of quantitative data, with special emphasis on the application of statistical methods to economic problems. A student may not receive credit for both ECON 360 and ECON 361.

Requisite: MATH 111, or equivalent and at least a "B" grade in ECON 111/111E or a "B-" in ECON 200–290, or equivalent. Fall and spring semesters.

Fall semester: Two sections limited to 25 students each. Professor Gebresilasse.

Spring semester: One section limited to 50 students. Professor Theoharides. 

A study of the analysis of quantitative data, with special emphasis on the application of statistical methods to economic problems. A student may not receive credit for both ECON 360 and ECON 361.

Requisite: MATH 111, or equivalent and at least a "B" grade in ECON 111/111E or a "B-" in ECON 200–290, or equivalent. Fall and spring semesters.

Fall semester: Two sections limited to 25 students each. Professor Gebresilasse.

Spring semester: One section limited to 50 students. Professor Theoharides. 

An introduction to the ideas and techniques that allow computers to perform intelligently. The course will discuss methods of adversarial game playing and of solving general problems using heuristic search. It will also discuss the design of agents that learn either from experience or from a provided dataset. The course will cover both theoretical aspects of AI and practical considerations such as noisy sensor readings. Three class meetings per week. Offered in alternate years.

Requisite: COSC 211. Fall semester: Assistant Professor Alfeld.

(Offered as ARHA 221 and FAMS 221) This introductory course is designed for students with no prior experience in video production. The aim is both technical and creative. We will begin with the literal foundation of the moving image—the frame—before moving through shot and scene construction, lighting, sound-image concepts, and final edit. In addition to instruction in production equipment and facilities, the course will also explore cinematic form and structure through weekly readings, screenings and discussion.

(Offered as ARHA 221 and FAMS 221) This introductory course is designed for students with no prior experience in video production. The aim is both technical and creative. We will begin with the literal foundation of the moving image—the frame—before moving through shot and scene construction, lighting, sound-image concepts, and final edit. In addition to instruction in production equipment and facilities, the course will also explore cinematic form and structure through weekly readings, screenings and discussion.

The non-traditional texts of writers like Claudia Rankine, Maggie Nelson, Viet Thanh Nguyen and Alison Bechdel have garnered great success that has introduced new audiences to the world of hybrid forms. Through close reading and a study of works at the apex of literary deconstruction, we will erase the lines drawn between poetry and prose, image and memoir, percentage graph and fiction and will embark on an expedition through contemporary hybrid texts, asking what dictates how we define genre.