The Nonhuman

This course will examine representations of figures not considered human, focusing on the nonhuman animal, with attention to the monster and the machine. We will analyze the literary and visual techniques with which these figures are depicted, the social and political concerns they address, and the tenuous boundary between human and nonhuman. Authors and filmmakers may include Cronenberg, Fowler, Hitchcock, Hurston, Kafka, London, Martel, Poe, Reichardt, Sewell, Spiegelman, Wells, and Woolf.

Slang: Community/Power/Lang.

Language is a living system. It grows and changes, despite efforts to preserve it. This course examines how slang participates in these changes. What separates slang from standard language, and who sets the standard? Through readings in linguistics and literature, this course examines how we use language to connect, create, and control.

Self-Portraiture

How do we represent ourselves? How can the self -- that is to say, subjective experience, private life, identity, consciousness -- be translated into written form? How, in turn, does writing fashion and construct the self? Throughout history, authors and thinkers have engaged these questions in countless texts and textual forms -- in essays, confessions, autobiographies, and poetry. This seminar will sample influential and innovative works of literary self-portrayal from around the world, exploring how a wide variety of writers have rendered themselves in language, narrative, and text.
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