This is a graded introduction to the Communication major, designed to welcome first year students into the major and inform them of opportunities for their advancement in the department and beyond. The course introduces students to the five subject areas offered in the major and provides a brief overview of the field of communication as well as the major issues and topics that motivate the inquiries conducted in courses and in research.

This course looks at how the industries of media and public relations have been used as instruments of social control and propaganda by economic and political elites.

Why do we put certain films into categories? What constitutes a film genre, how do we recognize it, and what do we do with it? This course examines these questions and more by considering a specific genre over the course of the semester. We will learn to think of genre as a way of comparing and contrasting different films. Genre will also be thought of as a way of creating expectations and measuring experience and meaning. The power of film genre is that it allows us to understand film as a text and film as a social practice at the very same time.

What is Ethnography? What is Performance (auto) Ethnography? How can we think about Performing Ethnography? This performance-based seminar will focus on the implications of decolonizing emancipatory epistemologies for critical, interpretive inquiry. Drawing heavily in the works of Dwight Conquergood, Norman Denzin, and D. Soyini Madison, we give a rest to traditional forms of qualitative inquiry as we disrupt the notion of "business as usual" in the academic space. We will examine the interpenetrating relationships among performance, ethnography, and culture.

Why do we put certain films into categories? What constitutes a film genre, how do we recognize it, and what do we do with it? This course examines these questions and more by considering a specific genre over the course of the semester. We will learn to think of genre as a way of comparing and contrasting different films. Genre will also be thought of as a way of creating expectations and measuring experience and meaning. The power of film genre is that it allows us to understand film as a text and film as a social practice at the very same time.

An exploration of the counter-cultural movements of the 1960s and 70s and later, hosted by someone who was there and lived to tell the tale. Through the medium of documentary and fiction films, we will delve into the musical, sexual, artistic, political and spiritual upheavals that rocked America and Europe back then and that continue to reverberate today. This course satisfies the Integrative Experience requirement for BA-Comm majors.

This course examines humor as a significant form of creative expression in social and political life. In recent decades, scholars of all persuasions from the humanities, social sciences, and even hard sciences have examined this subject through a critical lens, leading to the development of an interdisciplinary field known as humor studies. This course provides an introduction to that burgeoning field.

Exploration of the types of writing associated with the discipline of communication. Development and improvement of the student's writing, research, and critical thinking skills. Fulfills Junior Year Writing requirement.

This course examines the changing role of "race" in American politics and society, focusing in particular on change over time in public opinion, media portrayals, and campaigns and elections. As we investigate these themes, we will analyz the impact of political communication on race relations, and evaluate strategies that could help to improve interracial relations in society. (Gen. Ed. HSDU)

This course explores the influence of the mass media on the social world, particularly the media's impact on audiences. We will investigate various approaches utilized to determine if, when, and how media influence viewers, listeners, and readers. We will examine this issue from both scientific and cultural studies perspectives. Some of the questions we will consider include: How does television violence impact society and individuals? Can watching sex on television and film lead to teenage promiscuity? Are political advertisements and news coverage creating a more or less informed voter?