This introductory course focuses on movement as a language that communicates our thoughts, emotions, beliefs, habits and sensations. We will explore and expand our individual movement vocabularies through improvisation and various movement practices. Each week different practices and themes will be introduced to offer multiple viewpoints, different ways of moving, approaches to dance and performance making, and compositional methodologies. An emphasis of the course will be experimental trials in exploring various approaches and aesthetics.

Double course. Open to senior majors in Sexuality, Women’s and Gender Studies who have received departmental approval.

Fall semester. The Department.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: an emphasis on written work, readings, and independent research. They will be required to meet regularly with the professor.

Open to senior majors in Sexuality, Women’s and Gender Studies who have received departmental approval.

Fall semester. The Department.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: an emphasis on written work, readings, and independent research. They will be required to meet regularly with the professor.

Independent reading course.

Fall and spring semesters. The Department.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: an emphasis on written work, readings, and independent research. They will be required to meet regularly with the professor.

(Offered as HIST 424 and SWAG 424) The LGBTQ Rights Movement in the U.S. has revolutionized the lives, rights, and representations of lesbian, gay, bisexual, transgender, and queer people in modern life. Despite its transformative impact, few people know much of anything about the people, organizations, or legal issues involved in the struggle.

(Offered as  SWAG 365 and ENGL 372) Do people the world over love in the same way, or does romance mean different things in different cultures? What happens when love violates social norms? Is the “romance” genre an escape from real-world conflicts or a resolution of them? This course analyzes romantic narratives from across the world through the lens of feminist theories of sexuality, marriage, and romance.

(Offered as HIST 348 and SWAG 348) This seminar will explore the intersections of gender, migration, and labor, with a particular focus on Asian American women in the United States (broadly defined to include the U.S.’s territories and military bases), from 1870 to the present. Through transnational and woman-of color feminist lenses, we will investigate U.S.

(Offered as HIST 252 and SWAG 252) What can we learn about MLK and Malcolm X and from Magneto and Professor X? What can we learn about gendered and racialized depictions within comic books? As a catalyst to encourage looking at history from different vantage points, we will put comic books in conversation with the history of race and empire in the United States. Sometimes we will read comic books as primary sources and products of a particular historical moment, and other times we will be reading them as powerful and yet imperfect critiques of imperialism and racial inequality in U.S.

(Offered as ANTH 209, SOCI 207, and SWAG 209) This seminar uses feminist theory and methods to consider scientific practice and the production of medicoscientific knowledge. We will explore how medicine and science reflects and reinforces social relations, positions, and hierarchies as well as whether and how medicoscientific practice and knowledge might be made more accurate and socially beneficial.

This course provides an introduction to historical and contemporary intersectional and interdisciplinary feminist theory. We begin the course by first asking the questions: What is theory? Who gets to participate in theory building? How is feminist knowledge production influenced by power, privilege and geopolitics? We will explore the ways in which feminism is multi-vocal, non-linear, and influenced by multiple and shifting sites of feminist identities.