Introduction to the theory and analysis of post-tonal music, drawn from the work of Forte, Rahn, Perle, and others. Basic concepts including pitch class, integer notation, pitch-class sets, normal form, set class relatedness, symmetry, and interval cycles. Analytic applications to compositions of Schoenberg, Berg, Webern, Bartok, Debussy and others.

Not available at this time

The history of 20th-century music from Strauss to Minimalism, emphasizing masterpieces, but with reference to developments in the other arts, psychology, science, and technology.

The history of Western European art music from ancient Greece to 1700. Reading, listening, score study.

This ensemble provides all University members an opportunity to perform in a non-competitive atmosphere and achieve success according to one's individual goals. Students will be required to practice before each rehearsal. One performance will be given each semester. Attendance is mandatory. An audition is required.

Not available at this time

Bach and Handel studied from the music- historical, personal, and analytical perspectives. Emphasis on biography, performance practice, and the major masterpieces. Prerequisite: MUSIC 300.