This course explores the genre of Experimental Film and Video with a critical eye toward the history and current articulations of this form of production in both feature film and short form movies and videos. The course begins with an introduction to the genre, then explores Experimental Film; video according to three different categories: Experimentation with Narrative, Experimentation with Structure/Form, and Experimentation with the line between Fact and Fiction.

This course examines theories and key research findings in the field of persuasion and social influence through the lens of communication. We will examine theories in social psychology to understand the underlying process of persuasion and apply this knowledge to explain how attitudes and behaviors are spread through interpersonal and mass communication. Taking COMM 121 (Intro to Media + Culture) or COMM 122 (Intro the Media Programming + Institutions) prior to enrollment in this course is highly recommended.

This course examines the role of different kinds of nonverbal behaviors (i.e., body orientation and posture, gaze direction, gestures, space, etc.) in establishing a joint focus of attention, coordinating turn-taking, conveying meaning, sustaining institutional realities, telling stories, and navigating interpersonal relationships. We will investigate nonverbal behaviors both in ordinary face-to-face conversations and in a variety of professional settings, including courtrooms, doctors' offices, and the workplace. Satisfies the Integrative Experience requirement for BA-COMM majors.

This course explores the influence of the mass media on the social world, particularly the media's impact on audiences. We will investigate various approaches utilized to determine if, when, and how media influence viewers, listeners, and readers. We will examine this issue from both scientific and cultural studies perspectives. Some of the questions we will consider include: How does television violence impact society and individuals? Can watching sex on television and film lead to teenage promiscuity?

This pro-seminar is designed for new graduate students (although all are welcome) has three broad foci: (1) teaching/instructional development; (2) professional development for graduate students; and (3) topics of scholarly expertise in the Department. A variety of speakers, workshops and panels will cover topics ranging from instructional techniques and pedagogical concerns, to building expertise and networks toward a professional career, to discussion of various approaches among faculty in the department to common topics (e.g., culture, media, power, identity/ies, publics/citizenships).

Not available at this time.

An exploration of the counter-cultural movements of the 1960s and 70s and later, hosted by someone who was there and lived to tell the tale. Through the medium of documentary and fiction films, we will delve into the musical, sexual, artistic, political and spiritual upheavals that rocked America and Europe back then and that continue to reverberate today. This course satisfies the Integrative Experience requirement for BA-Comm majors.

An examination of the art, craft, and business of screenwriting from theoretical and practical perspectives. Topics include screenplay format and structure, story, plot and character development, dialog and scene description, visual storytelling, pace and rhythm, analysis of professional and student scripts and films.

The way social groups are portrayed in the media is widely assumed to have consequences for levels of prejudice and stereotyping in the mass public. Moreover, the vast majority of speculations assume negative consequences, that is, exposure causing increases in levels of stereotyping and prejudice. We will critically evaluate both assumptions, with a particular emphasis on furthering understanding about the psychological processes through which media exposure may not only increase but also decrease stereotyping and prejudice.

This course draws together theory and research from the discipline of Communication, skills and interdisciplinary understandings developed through students' various general education courses, and their own insights as students, emerging leaders, and collaborators in the Peer Advising Program.