Adv Studio Seminar

A studio course that will emphasize compositional development by working from memory, imagination, literature and abstractions derived from nature and other works of visual art. The Students will be encouraged to explore a wide variety of media including, but not limited to, drawing, painting, printmaking, sculpture and collage. Students will be required to create an independent body of work over the course of the semester which explores their individual direction in pictorial construction.

Storytelling Arts

(Offered as ENGL 212 [Before 1800] and ARHA 212) This course will explore the major pictorial narrative traditions of Mesoamerica, focusing on manuscripts of the Aztec, Maya, and Mixtec peoples, as well as other media, including texts and images from murals, ceramics, monuments, and mirrors. These visual and narrative media continue to play important roles in the preservation of Indigenous identity, solidarity, and cultural identity within nation states; the course will examine public, popular, and fine arts reviving, repurposing, and supporting resistance using this imagery.

Independent Study

Independent work in biochemistry can be conducted with any member of the biochemistry committee and, upon approval, also with other members of the biological sciences and chemistry departments and program in neuroscience and behavior.

Independent Study

Independent work in biochemistry can be conducted with any member of the biochemistry committee and, upon approval, also with other members of the biological sciences and chemistry departments and program in neuroscience and behavior.

Independent Study

In this class, students will acquire hands-on experience in diverse aspects of the research process in any field of Biology, from familiarizing themselves with a research topic, generating interesting questions, designing experiments, acquiring technical skills, collecting and analyzing data, to writing and/or presenting their results. To inquire about enrollment, students should approach a Biological Sciences faculty member to identify mutual areas of interest.

Independent Study

In this class, students will acquire hands-on experience in diverse aspects of the research process in any field of Biology, from familiarizing themselves with a research topic, generating interesting questions, designing experiments, acquiring technical skills, collecting and analyzing data, to writing and/or presenting their results. To inquire about enrollment, students should approach a Biological Sciences faculty member to identify mutual areas of interest. Typically, these conversations should occur well before registration, and the decision by the faculty member will depend on lab capac

Hybrid-Genre Writing

Students will read and discuss a diverse array of hybrid-genre works or writing that combines and coalesces two or more genres: poetry, fiction, criticism, and/or memoir. Some books will also cross media incorporating painting, photography, or film. Students will consider how drawing upon different prose, verse, and multi-media modes can complement and augment the way writers shape their personal and political stories and will complete writing, speaking, and other assignments designed to build toward a hybrid-genre work.

West African Women

This course challenges students to consider how and why, following Ralph-Michel Trouillot, certain voices get "silenced" in the historical record. We study how women have both shaped history and been subject to its forces, though often in unexpected ways. This course is unique because we learn about women in 18th, 19th and 20th century West Africa through their own words. Students will encounter more than a dozen real and fictional African women: mighty queens, snide co-wives, shrewd traders, ingenious slaves, brilliant writers, and fierce activists.

Beyond Francafrique

This course examines how France and Francophone West Africa have shaped each other throughout the past three centuries. Beginning with the French Atlantic of the eighteenth century, the course traces Franco-African encounters through informal and formal colonial rule, decolonization, and the postcolonial period. It closes by examining current controversies over race, literature and museum rights engendered by this complex history.

Intro Modern African History

This course provides an introduction to African history over the past three centuries. Venturing beyond the stereotypes, we will explore the complex histories that constitute a diverse continent. Special attention is given to spotlighting the voices of African people through a range of primary and secondary sources, including memoirs, film, music, cartoons, speeches and photography.
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