This 3-credit course is designed as a primer in entrepreneurship for arts students and those in cognate fields. Students will examine the breadth of professional opportunities available in the Creative Economy and explore strategies for pursuing them. Based on these examinations, students will construct a personal mission statement, build an individualized portfolio of materials appropriate for professional development purposes, and begin a journal to formulate, collect, and grow creative venture ideas.

Arts Managers perform the work that is required to bring the arts and cultural programs to audiences, organizing programs such festivals and exhibits, performing arts events and film screenings. This course will introduce you to the "business of the arts," providing you with an overview of the careers in arts management, the types of work that arts managers do, and the current issues and trends now affecting arts management professionals.

This course historicizes identity politics in art from the 1960s to today, examining what social identity means and why it has been a contentious topic in contemporary art history. Students will consider the problem of discussing intersectional identities when they are shifting, open-ended, and complex constructions. We will study artists whose work raises personal and political questions about social experience and authenticity in ways that break down stereotypes.

Addresses the history of contemporary art since 1980 from a western perspective, but in a global context. Introduces students to major issues in contemporary art and criticism such as conceptualism, new media, earth art, postmodernism, neo-expressionism, institutional critique, identity politics, political interventions, installation art, ecology, globalization, relational aesthetics, and the role of consumerism and the art market.

Addresses the history of contemporary art since 1980 from a western perspective, but in a global context. Introduces students to major issues in contemporary art and criticism such as conceptualism, new media, earth art, postmodernism, neo-expressionism, institutional critique, identity politics, political interventions, installation art, ecology, globalization, relational aesthetics, and the role of consumerism and the art market.

The topic of looted art appears in the news on a weekly basis, with art historians, museums, archaeologists, economists and legal scholars all weighing in on the problem.

The topic of looted art appears in the news on a weekly basis, with art historians, museums, archaeologists, economists and legal scholars all weighing in on the problem.

Historical survey of art, architecture, and urban development from the Baroque to the present; the social context in which style has developed. Discussion of the same material from a critical and topical point of view. Background for upper-level art history courses; required of majors. (Gen.Ed. AT, DG)

Historical survey of art, architecture, and urban development from the Baroque to the present; the social context in which style has developed. Discussion of the same material from a critical and topical point of view. Background for upper-level art history courses; required of majors. (Gen.Ed. AT, DG)

History of architecture from antiquity to the present explained chronologically and thematically. Iconic western and non-western buildings and cities compared. Students learn research skills, vocabulary and to read architectural plans. (Gen.Ed. AT, DG)