A beginning studio course in the development of voice for speaking. Students develop range and tone through regular physical exercises in relaxation, breathing technique, placement, and presence. Individual attention focuses on helping each student develop the physical, mental, and emotional self-awareness needed for expressive vocal production. Practice is oriented toward acting for the stage, but students with a primary interest in public speaking, teaching, or improved interpersonal communication will find this course valuable. A modicum of reading and written reflection is required.

This course is designed to focus on the movement aspect of hip hop culture. Dance in the tradition of B-Boys and B-girls while learning a wide variety of hip hop movement. From the old school "bronx" style to commercial hip hop, learn a wide range of hip-hop vocabulary in a course emphasizing group choreography, floor work, and partner work. No previous dance experience is necessary. Class will incorporate funk, street, b-boy/b-girl, and house elements to stretch and tone the body.

This intermediate-level movement practice course is designed for students with previous movement experience who wish to deepen their work as dance artists through the continued development of physical and performance-related skills. Infusing somatic inquiry and improvisational exploration alongside building-specific alignment/coordination connections in movement organization, this course is an ongoing experiment with a vast terrain of practices that energize and attune ourselves, both individually and together, to the interconnected wholeness of our moving form and being.

This course examines the creation of dramatic action and character from the points of view of both the playwright and the actor. Students learn how to analyze and bring dramatic texts to life through a creative process, using the body, voice and imagination.

An introduction to movement as a language and to dance and performance composition. In studio sessions students will explore and expand their individual movement vocabularies by working improvisationally with weight, posture, gesture, patterns, rhythm, space, and relationship of body parts. We will ask what these vocabularies might communicate about emotion, thought, physical structures, cultural/social traditions, and aesthetic preferences.

Independent reading course.

Fall and spring semesters. The Department.

(Offered as HIST 436 and SWAG 436) This course introduces students to critical theories of difference in thinking and writing about the past. We will read major works that chart the history of the very concepts of race, gender, and sexuality. We will explore how these ideas were both advanced and contested by various groups over the years by reading primary sources such as newspaper articles, personal letters, court records, and organizational papers. Movements for women’s rights, racial justice, and LGBTQ liberation have dramatically shaped these debates and their implications.

(Offered as POSC 411 and SWAGS 411) Indigenous women are rarely considered actors in world politics. Yet from their positions of marginality, they are shaping politics in significant ways. This course inter-weaves feminist and Indigenous approaches to suggest the importance of Indigenous women’s political contributions. It is an invitation not merely to recognize their achievements but also to understand why they matter to international relations.

(Offered as ENGL 372 and SWAG 365) Do people the world over love in the same way, or does romance mean different things in different cultures? What happens when love violates social norms? Is the “romance” genre an escape from real-world conflicts or a resolution of them? This course analyzes romantic narratives from across the world through the lens of feminist theories of sexuality, marriage, and romance.

(Offered as BLST 347 [US] and SWAG 347) From the aftermath of the Civil War to today's "global war on terror," the U.S. military has functioned as a vital arbiter of the overlapping taxonomies of race, gender, and sexuality in America and around the world. This course examines the global trek of American militarism through times of war and peace in the twentieth century. In a variety of texts and contexts, we will investigate how the U.S.