Graduate Jazz Analysis II

Advanced study of jazz non-functional and chromatic harmony and beyond through harmonization and re-harmonization exercises; development of non-functional and chromatic harmonic vocabulary; analysis of complex chord progressions based upon post-1960 harmonic techniques; the study of non- functional, modal, and chromatic harmonies and their relationship to jazz improvisation; arranging and composition; and the study and Analysis of 20th century classical and jazz repertoire.

American Popular Music

Overview of popular music in the U.S. from colonial times to the present, with a focus on the history of rock. We will examine eighteenth and nineteenth-century war songs, slave songs, spirituals, minstrel and vaudeville songs, blues and ragtime, jazz, Tin Pan Alley, swing, country-western, rock, punk, and hip hop. Requirements:
readings from the textbook as well as additional assigned readings, guided listening activities in and out of class, and written critical evaluations. Substantial required reading and written assignments. (Gen.Ed. AT)

S- All-University Orchestra

This ensemble provides all University members an opportunity to perform in a non-competitive atmosphere and achieve success according to one's individual goals. Students will be required to practice before each rehearsal. One performance will be given each semester. Attendance is mandatory. An audition is required.

S- French Art Song

Survey of the history of the French art song from the perspective of the vocalist and the collaborative pianist. Extensive study of vocal accompanying techniques with the practical experience of performing with vocal majors.

Perform Wkshp Singrs

Performance, solo and ensemble. Satisfies ensemble requirement for vocal applied music. Use of opera ensemble literature to achieve ease, confidence, and some command of the stage as actors as well as singers. Class and public performance. Pre-requisites: Applied Voice, audition, and consent of director.
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