Description not available at this time

Description not available at this time

Not available at this time

Not available at this time

Alternative types of investments, methods of investment analysis considering both return and risk of individual and portfolios of investments, functioning of markets for investment goods.

Application of financial models in the business environment. The use of computer-based spreadsheet and simulation packages in business analysis.

The time value of money; valuation of financial securities; allocating capital; an introduction to risk and risky decision making; the financing decision of the firm; financial statement and working capital management; more special topics include mergers and acquisitions, and international finance.

Prerequisite: ACCOUNTG 221

This course provides an in-depth overview of the key theoretical approaches to the study of cinema by examining historically significant ways of analyzing film form and its social and cultural functions and effects. The course seeks to equip students with a command of the diverse history of theoretical frameworks for understanding the medium and experience of cinema, from early concerns over film's relation to other arts to the way the movie as a cultural form has been reconceptualized within the contemporary explosion of new media.

What insights do films with end-of-the-world scenarios, dystopian futures, and post-apocalyptic themes offer into the cultural moment that produces them? From alien invasions and planetary collisions to cataclysmic war and totalitarian dystopias, from the zombie apocalypse and the rise of machines, to human extinction and the end of civilization, what do these films tell us about contemporary realities? How do they speak to our anxieties and fears about the future as well as our hopes and aspirations? In what ways do these films pose and explore questions of the "human"?

What insights do films with end-of-the-world scenarios, dystopian futures, and post-apocalyptic themes offer into the cultural moment that produces them? From alien invasions and planetary collisions to cataclysmic war and totalitarian dystopias, from the zombie apocalypse and the rise of machines, to human extinction and the end of civilization, what do these films tell us about contemporary realities? How do they speak to our anxieties and fears about the future as well as our hopes and aspirations? In what ways do these films pose and explore questions of the "human"?