(Offered as ENGL 180 and FAMS 110) A first course in reading films and writing about them. A varied selection of films for study and criticism, partly to illustrate the main elements of film language and partly to pose challenging texts for reading and writing. Frequent short papers. Two class meetings and one screening per week.

Limited to 25 students. Open to first-year and sophomore students. Fall semester. Professor Hastie.

Independent reading course.

Fall and spring semesters. The Department.

Independent reading course.

Fall and spring semesters. The Department.

(Offered as ARHA 385, EUST 385, and SWAG 310) This course will explore the construction of the monstrous, over cultures, centuries and disciplines. With the greatest possible historical and cultural specificity, we will investigate the varied forms of monstrous creatures, their putative powers, and the explanations given for their existence—as we attempt to articulate the kindred qualities they share. Among the artists to be considered are Valdés Leal, Velázquez, Goya, Munch, Ensor, Redon, Nolde, Picasso, Dalí, Kiki Smith, and Cindy Sherman.

(Offered as GERM 363, ARCH 363, EUST 363, and FAMS 370) How is memory constructed and represented? How is it possible to bear witness, and what exactly is involved? Who is authorized to testify, to whom, when? Whose story is it? Is it possible to tell "the story" of a traumatic event? What are the disorders of testimony, and how and where do they emerge? This course will observe the workings of trauma (the enactment and working-through of collective and individual symptoms of trauma), memory, and witnessing in various modes of everyday life.

(Offered as HIST 327 [EU] and EUST 327) Over the last two decades, the European "New Right" (from the French "Nouvelle Droite") has gained new ground in political discourse and among European electorates. Historically speaking, the New Right emerged in response to the 1968-movement in France, combining features from social activism with ideas linking back to conservative thinkers in history such as Carl Schmitt, Joseph de Maistre or Edmund Burke.

(Offered as HIST 236 [EU], EUST 238, and RUSS 237) The Cold War indelibly shaped the second half of the twentieth century. Spies seemed ubiquitous; nuclear annihilation imminent. Films such as Red October and the James Bond series forged a Western image of the Soviet Union. But how were these decades experienced behind the Iron Curtain? This class explores Soviet history between the end of World War II and the collapse of the USSR.

(Offered as MUSI 221 and EUST 221) One of three courses in which music is studied in relation to issues of history, theory, culture, and performance, with the focus of the course changing from year to year. In 2018-19, this course will serve as an introduction to European music in the Medieval, Renaissance, and Baroque eras.