Building on FILM-ST 411, this course is an advanced workshop in 16mm single-camera filmmaking, emphasizing experimental formal approaches, hand-processing, eco- friendly film chemistry, printing, color film, tinting and toning techniques, sound technologies, telecine and digitalization techniques, and digital-analog hybrid processes, with the goal of presenting a final work in a curated screening at the end of the semester. A previous 16mm course (FILM-ST 411, HACU-0249, or FAMS-335) or instructor permission are prerequisite.

This course provides an introduction to science fiction cinema from the end of the nineteenth century to today. Beginning with the experiments of the Melies Brothers and the importance of German Expressionist films like Fritz Lang's Metropolis, the course considers technological prognostication from Destination Moon to 2001: A Space Odyssey, adventure and science fiction in films like Forbidden Planet and Star Wars, and the dystopian imagination from Invasion of the Body Snatchers to District 9.

Focus on narrative problems of love, desire, sexual identity, daily life, and death. These films' investigations of how we might gain distance on our life fictions by questioning and undermining viewer identification with narrative. (Gen.Ed. AT)

Focus on narrative problems of love, desire, sexual identity, daily life, and death. These films' investigations of how we might gain distance on our life fictions by questioning and undermining viewer identification with narrative. (Gen.Ed. AT)

Focus on narrative problems of love, desire, sexual identity, daily life, and death. These films' investigations of how we might gain distance on our life fictions by questioning and undermining viewer identification with narrative. (Gen.Ed. AT)

Focus on narrative problems of love, desire, sexual identity, daily life, and death. These films' investigations of how we might gain distance on our life fictions by questioning and undermining viewer identification with narrative. (Gen.Ed. AT)