Independent Reading Course.

Fall and spring semesters.  Members of the Department.

(Offered as HIST 474 [AS] and ASLC 474 [SA]) Anti-colonial nationalism in India was one of the first major movements towards the decolonization of the global south. This reading and writing intensive research seminar examines the story of the Indian nationalist movement and the effort to liberate the subcontinent and its peoples from British colonial rule.

(Offered as HIST 492 [ME] and ALSC 459 [WA])  This seminar explores contemporary Iran from a historical and interdisciplinary perspective. The aim of the course is both to provide an overall understanding of the history of Iran, as well as those key elements of religion, literature, legend, and politics that together shape Iran's understanding of itself. We will utilize a wide variety of sources, including Islamic and local histories, Persian literature, architecture, painting and ceramics, film, political treatises, Shiite theological writing, foreign travel accounts, and U.S.

(Offered as ASLC 436 and FAMS 422) This course is an introduction to contemporary Japanese popular culture through focused study of a particular theme. This semester we will concentrate on the apocalypse, among the most prominent themes in postwar Japan. Many would trace its origins to Hiroshima and Nagasaki, for Japan is the only country in history to have been attacked with nuclear weapons, but we will examine a broader cultural matrix in this course, which will allow us to address questions of technology, human agency, utopia, dystopia, and spectacle, among other topics.

(Offered as ANTH 331 and ASLC 341 [WA])  In an era where “terrorism” has eclipsed the nuclear fears of the Cold War and become associated with a radicalism that is portrayed as at once militant, anti-Western, and bound to a particular region (the Middle East) and religion (Islam), the task of this seminar--to examine the everyday realities of people living throughout the Middle East--has become all the more critical.  Beginning with an historical eye toward the ways that the “West” has discovered, translated, and written about the “Orient,” this

Written over one thousand years ago by the court lady, Murasaki Shikibu, The Tale of Genji is the supreme masterpiece of Japanese literature and a work whose influence on subsequent arts and letters in the country cannot be overestimated.

(Offered as RELI 382 and ASLC 382 [WA])  In this course we will study the foundational texts that were composed within the intellectual traditions of Islam (800–1200) and which have stimulated intellectual discourse in Islamic cultures until today. Our primary goal will be to understand the nature and significance of the debates that took place within pre-modern Islamic societies and to grasp the issues at stake in them.

(Offered as ARHA 281, ARCH 281, and ASLC 281)  This course examines artistic exchanges and encounters in the Islamic world during the early modern period. We will focus on the movement of artists, objects, and systems of knowledge between and beyond the Mamluk, Ottoman, Timurid, Safavid, and Mughal courts, placing special emphasis upon encounters with the arts of Europe and East Asia.

(Offered as HIST 272 [AS] and ASLC 272 [SA])  Political and social movements in South Africa, the United States of America, Germany, Myanmar, India, and elsewhere, have drawn inspiration from the non-violent political techniques advocated by Mohandas Karamchand Gandhi during his leadership of the anti-colonial struggle for Indian freedom from British colonial rule.This course charts a global history of Gandhi’s thought about non-violence and its expression in civil disobedience and resistance movements both in India and the world.

(Offered as ARHA 261 and ASLC 260)  Visual imagery plays a central role in the Buddhist faith.  As the religion developed and spread throughout Asia it took many forms.  This class will first examine the appearance of the earliest aniconic traditions in ancient India, the development of the Buddha image, and early monastic centers.  It will then trace the dissemination and transformation of Buddhist art as the religion reached South-East Asia, Central Asia, and eventually East Asia.  In each region indigenous cultural practices and artistic traditions influenced Bud