It is now possible to create electronic music with a variety of powerful and flexible computer-based tools. Through reading, discussion, demonstration, listening sessions, technical tutorials and hands-on projects, we will explore the techniques, practices and aesthetics surrounding creative applications of current and emerging music technologies, including sound recording and editing, mixing, synthesis and electronic music composition.

This course delves into the intricate world of auditory perception, exploring how humans interpret, experience, and make sense of sound. Students will journey through the art of hearing, discuss the sensations of hearing, how sound colors our perception of the world, and how the sound worlds we live in are increasingly curated and constructed. The course will cover a range of topics, including historical definitions of pitch, time, and sound forms, and the influence of cultural and environmental factors on how we perceive sound.

Remembered primarily for being the decade when popular music demanded a reality check, the 1970s will be the framework for a critical and analytical survey of some of the more fertile developments and influential ideas that originated, flourished, and/or declined in that era. Topics will include minimalism, jazz-rock fusion, reggae, disco, punk, and the accompanying multiculturalism that informed social/political/economic conditions that bred these styles.

Chamber Music for wind instruments

Chamber Music for string instruments

Chamber Music for string instruments

Chamber Music for string instruments

Chamber Music for string instruments

Chamber Music for piano instruments

Chamber music for mixed ensembles.