Beginning with Shakespeare's Tempest, an exploration of fantasies as escape into strange realms where time and space are not our own. Explorations of fantastic voyages to learn about human desires and dreams, and the history they are grounded in. Interdisciplinary approach; historical, psychological, and formal study of fantasy literature. (Gen.Ed. AL)

Beginning with Shakespeare's Tempest, an exploration of fantasies as escape into strange realms where time and space are not our own. Explorations of fantastic voyages to learn about human desires and dreams, and the history they are grounded in. Interdisciplinary approach; historical, psychological, and formal study of fantasy literature. (Gen.Ed. AL)

Beginning with Shakespeare's Tempest, an exploration of fantasies as escape into strange realms where time and space are not our own. Explorations of fantastic voyages to learn about human desires and dreams, and the history they are grounded in. Interdisciplinary approach; historical, psychological, and formal study of fantasy literature. (Gen.Ed. AL)

The city has long been a source of inspiration for writers and artists. In this course, we will focus on artistic representations of the city during the twentieth- and twenty-first centuries. More specifically, we will study how cities and their texts have responded to significant moments of transformation by examining topics such as immigration, conflict, natural disaster, interior space and public sphere, and technology. European and American cities like Havana, Madrid, Mexico City, New York, as well as unnamed cities will be among the subjects of this course.

This course introduces Comic Art in North America, from the beginnings of the newspaper comic strip through comic books graphic novels, and electronic media including the history and aesthetics of the medium, comparison between developments in the United States, Mexico, and French Canada, and the social and cultural contexts in which comic art is created and consumed. (Gen.Ed. AT, U)

This course introduces Comic Art in North America, from the beginnings of the newspaper comic strip through comic books graphic novels, and electronic media including the history and aesthetics of the medium, comparison between developments in the United States, Mexico, and French Canada, and the social and cultural contexts in which comic art is created and consumed. (Gen.Ed. AT, U)

This course introduces Comic Art in North America, from the beginnings of the newspaper comic strip through comic books graphic novels, and electronic media including the history and aesthetics of the medium, comparison between developments in the United States, Mexico, and French Canada, and the social and cultural contexts in which comic art is created and consumed. (Gen.Ed. AT, U)

This course introduces Comic Art in North America, from the beginnings of the newspaper comic strip through comic books graphic novels, and electronic media including the history and aesthetics of the medium, comparison between developments in the United States, Mexico, and French Canada, and the social and cultural contexts in which comic art is created and consumed. (Gen.Ed. AT, U)

This course introduces Comic Art in North America, from the beginnings of the newspaper comic strip through comic books graphic novels, and electronic media including the history and aesthetics of the medium, comparison between developments in the United States, Mexico, and French Canada, and the social and cultural contexts in which comic art is created and consumed. (Gen.Ed. AT, U)

This course introduces Comic Art in North America, from the beginnings of the newspaper comic strip through comic books graphic novels, and electronic media including the history and aesthetics of the medium, comparison between developments in the United States, Mexico, and French Canada, and the social and cultural contexts in which comic art is created and consumed. (Gen.Ed. AT, U)