Introductory Chemistry

This course examines the structure of matter from both a microscopic and macroscopic viewpoint. We begin with a detailed discussion of the physical structure of atoms, followed by an analysis of how the interactions between atoms lead to the formation of molecules. The relationship between the structures of molecular compounds and their properties is then described. Experiments in the laboratory provide experience in conducting quantitative chemical measurements and illustrate principles discussed in the lectures.

The Creole Imagination

(Offered as ENGL 491 and BLST 461 [CLA].)  What would it mean to write in the language in which we dream?  A language that we can hear, but cannot (yet) see?  Is it possible to conceive a language outside the socio-symbolic order?  And can one language subvert the codes and values of another?  Questions like these have animated the creolité/nation language debate among Caribbean intellectuals since the mid-1970s, producing some of the most significant francophone and anglophone writing of the twentieth century.  This course reads across philosophy, cultu

Race, Sex & US Military

(Offered as BLST 347 [US] and SWAG 347.)  From the aftermath of the Civil War to today's "global war on terror," the U.S. military has functioned as a vital arbiter of the overlapping taxonomies of race, gender, and sexuality in America and around the world. This course examines the global trek of American militarism through times of war and peace in the twentieth century.  In a variety of texts and contexts, we will investigate how the U.S.

Colorblind Culture

(Offered as SOCI 334 and BLST 336 [US].) The passage of civil rights legislation in 1964 and 1965 was a defining moment in American race relations. By comparison to what preceded it, the post-civil rights era amounted to a great social transformation, leading many to assert ours is now a “colorblind” culture.

Myth/Ritual West Africa

(Offered as BLST 315 [A] and ARHA 353.) Through a contrastive analysis of the religious and artistic modes of expression in three West African societies--the Asanti of the Guinea Coast, and the Yoruba and Igbo peoples of Nigeria--the course will explore the nature and logic of symbols in an African cultural context.

Subscribe to