In this class, we will study video games, postmodern cultural theory, and (tangentially) comic books as we ask questions about the persistence of dystopian narratives in print and digital visual culture. For example, what do dystopian narratives in comics, video games, and new media productions have in common? What makes "dark," "moody," and outright apocalyptic narratives like The Walking Dead, Half-Life 2, Left 4 Dead, Sweet Tooth and the web series Down Twisted popular in this current historical moment?

This course will involve both reading and writing in the genre of creative nonfiction, which may include personal essays, lyrical essays, environmental literature, literary journalism, travel writing, and memoir.

This course will survey major trends in twentieth century fiction by taking as its theme the idea of `writing at the frontiers'. We'll understand this in various ways, ranging from the frontiers of form in the work of some of the century's foremost writers, to the literal frontiers that many of them have faced: of geography, culture, race, gender, politics, and (in the broadest sense) history.

This course will survey major trends in twentieth century fiction by taking as its theme the idea of `writing at the frontiers'. We'll understand this in various ways, ranging from the frontiers of form in the work of some of the century's foremost writers, to the literal frontiers that many of them have faced: of geography, culture, race, gender, politics, and (in the broadest sense) history.

This course will survey major trends in twentieth century fiction by taking as its theme the idea of `writing at the frontiers'. We'll understand this in various ways, ranging from the frontiers of form in the work of some of the century's foremost writers, to the literal frontiers that many of them have faced: of geography, culture, race, gender, politics, and (in the broadest sense) history.

This course will survey major trends in twentieth century fiction by taking as its theme the idea of `writing at the frontiers'. We'll understand this in various ways, ranging from the frontiers of form in the work of some of the century's foremost writers, to the literal frontiers that many of them have faced: of geography, culture, race, gender, politics, and (in the broadest sense) history.

A seminar in writing poetry for students who demonstrate familiarity with the basics of imagery, rhythm, and form. Students write regularly, read and criticize one another's writing, read in contemporary poetry.

This course explores the definition and evolution of a national literary tradition in the United States from the Civil War to the present. We will examine a variety of issues arising from the historical and cultural contexts of the 19th and 20th centuries, the formal study of literature, and the competing constructions of American identity. Students will consider canonical texts, as well as those less frequently recognized as central to the American literary tradition, in an effort to foster original insights i9nto the definition, content, and the shape of ?literature? in the United States.