The Senior Seminar is intended to bring together majors with different course backgrounds and to facilitate original independent student research on an environmental topic. In the early weeks of the seminar, discussion will be focused on several compelling texts (e.g., Rachel Carson’s Silent Spring or Alan Weisman’s The World Without Us) which will be considered from a variety of disciplinary perspectives by members of the Environmental Studies faculty.
Independent reading course.
Fall and spring semesters. The Department.
(Offered as BIOL 230 and ENST 210.) A study of the relationships of plants and animals (including humans) to each other and to their environment. We'll start by considering the decisions an individual makes in its daily life concerning its use of resources, such as what to eat and where to live, and whether to defend such resources. We'll then move on to populations of individuals, and investigate species population growth, limits to population growth, and why some species are so successful as to become pests whereas others are on the road to extinction.
Independent Reading Courses.
Fall and spring semester. The Department.
(Offered as ENGL 475 and FAMS 475.) This course examines the similarities in form and content between the Victorian novel and the modern television series. While contemporary TV and fiction from over a century ago might seem like a surprising pairing, the two forms have a great deal in common.
(Offered as ENGL 471, BLST 412 [A], and SWAG 471.) How do literary texts transmute human bodies into subjects–gendered subjects, colonial subjects, disabled subjects, terrorists, cultural icons, cyborgs? And what happens when we use ideas about the body to represent the body politic? In this course we will examine how modern African writers utilize a variety of genres, including ethnographic writing, Kung Fu movies, pornography, traditional epic, and graffiti, to challenge our notions of what counts as a body, as a nation, or as a text.
(Offered as ENGL 441 and EUST 374.) [before 1800] In this course, we read a selection of English and other European lyrics (in translation) from the twelfth through the seventeenth centuries. An exciting, fertile era in poetic innovation, these centuries see the dawn of the first romantic love poetry in these languages, the invention of new forms like the sonnet, and the invention of the lyric “anthology.” Reading the lyrics of the French troubadour poets, Chaucer, Petrarch, Wyatt, Donne, Shakespeare, and the many brilliant anonymous poets of medieval Eng
A seminar–intensive reading, in-class presentations, a long paper at the end–in which the work of six major poets will be studied: Robert Frost, Wallace Stevens, T.S. Eliot, Elizabeth Bishop, Richard Wilbur, and Anthony Hecht. Attention will be given to the poets’ own critical writing, in letters, interviews, reviews, and essays, as well as to the critical literature devoted to them.
Studying selected works of five major twentieth-century fiction writers, this course looks at American themes and modernist techniques that infuse the work of William Faulkner and those who came after him. Black humor, grotesqueries, religious symbolism, apocalyptic transformations, shifting points of view, unreliable narration, and other distinctive elements complicate and enrich our reading of these texts. We will puzzle through them together in a course that is primarily discussion and which includes two short papers, a midterm, and a final exam.
