This course introduces non-majors to a variety of competing theories of interpersonal behavior and everyday social interaction and provides them with new ways of thinking about the social situations in which they participate and interact (and observe others doing so). Theoretical frameworks may include Cultural Discourse theory, models of Relational Communication, Coordinated Management of Meaning, Identity Management, and the Ethnography of Speaking. (Gen.Ed. SB)

This course introduces non-majors to a variety of competing theories of interpersonal behavior and everyday social interaction and provides them with new ways of thinking about the social situations in which they participate and interact (and observe others doing so). Theoretical frameworks may include Cultural Discourse theory, models of Relational Communication, Coordinated Management of Meaning, Identity Management, and the Ethnography of Speaking. (Gen.Ed. SB)

Exploration of the types of writing associated with the discipline of communication. Development and improvement of the student's writing, research, and critical thinking skills. Fulfills Junior Year Writing requirement.

The nature and several functions of film, including narrative and nonnarrative approaches to film communication. Topics include: the components of film expression (composition, movement, editing, sound, setting, and acting); designs in screen narrative; film's relationship to other arts and media; and its role as an instrument of social reflection and change.

The nature and several functions of film, including narrative and nonnarrative approaches to film communication. Topics include: the components of film expression (composition, movement, editing, sound, setting, and acting); designs in screen narrative; film's relationship to other arts and media; and its role as an instrument of social reflection and change.

This course provides an introduction to the major ideas and concepts of rhetorical and performance studies and their contributions to social action. Students will be introduced to the thinkers and movements in rhetoric and performance most significant to how we understand ourselves: the ways we represent and remember our pasts, live our presents (presence), and imagine our futures. Theories of rhetoric and performance will be connected to each other and to our communication practices to examine how theories can be deployed as part of the art of living our lives.

Introductory survey of media theory and research.

Lecture, discussion. An examination of the art, craft, and business of screenwriting from theoretical and practical perspectives. Topics include screenplay format and structure, story, plot and character development, dialog and scene description, visual storytelling, pace and rhythm, analysis of professional and student scripts and films, and more. Written work includes three screenwriting projects. The focus is on writing for narrative films and, to a limited extent, TV programs. Prerequisite: COMM film course.

Not available at this time

Not available at this time