A deeper investigation into the methods and strategies for mold making and casting. This course will focus on developing technical ability with a range of contemporary molding and casting materials and techniques.
Representational work in clay using the human figure as subject. Use of model, training in observation and anatomical focus. Projects, reviews, presentations. Prerequisites: for non-majors, ART 110 or equivalent; for majors, ART 120, 131, 141.
Theoretical issues and practical problems raised by translation, in light of recent research. The role of translation and translated literature in cultural systems and in the history of literary development. Genre and form (poetry, dramatic literature), language register and tone, metaphor and imagery, word play. Readings in theory (Nida, Even-Zohar, Lefevere, Quine, Catford) combined with workshop practice.
A seminar on literary criticism east and west, from the classical period to the Renaissance in Europe, as well as in ancient China and the medieval Islamic world. Commonalities in all our texts: what constitutes art and beauty in verbal expression? What is the purpose of literature? Who may have access to literature? What are sacred and canonical texts, and how shall they be approached? What is the connection between literature and truth, literature and morality? What are the proper techniques for composing good literature? What is the function of the study of rhetoric?
Power is a central feature of political life and one of the key concepts of political science. This course will examine the main approaches and controversies in the study of power. We will investigate how these approaches help us to better understand how power operates in the real world by engaging with various case studies, including: how power works in prisons, schools, at home, in local and global politics, in an Appalachian mining town, a small village in Malaysia, and in countless ways in every day life.