JAPANESE II (INTENSIVE)
A continuation of 220. Prerequisite: JPN 220 or permission of the instructor.
JAPANESE II (INTENSIVE)
A continuation of 220. Prerequisite: JPN 220 or permission of the instructor.
JAPANESE II (INTENSIVE)
A continuation of 220. Prerequisite: JPN 220 or permission of the instructor.
JAPANESE I (INTENSIVE)
A continuation of 110. Development of utilization of grammar and fluency in conversational communication. About 150 more kanji will be introduced for reading and writing. Prerequisite: JPN 110 or permission of the instructor.
JAPANESE I (INTENSIVE)
A continuation of 110. Development of utilization of grammar and fluency in conversational communication. About 150 more kanji will be introduced for reading and writing. Prerequisite: JPN 110 or permission of the instructor.
JAPANESE I (INTENSIVE)
A continuation of 110. Development of utilization of grammar and fluency in conversational communication. About 150 more kanji will be introduced for reading and writing. Prerequisite: JPN 110 or permission of the instructor.
JAPANESE I (INTENSIVE)
A continuation of 110. Development of utilization of grammar and fluency in conversational communication. About 150 more kanji will be introduced for reading and writing. Prerequisite: JPN 110 or permission of the instructor.
SPECIAL STUDIES
By permission of the chair, for senior majors.
SPECIAL STUDIES
For qualified juniors and senior majors only. Admission by permission of the instructor.
TOPICS IN ITALIAN CINEMA
Examining Italian cinema from neorealism to today, this course will investigate how major directors have responded to the changing cultural, political and economic context in Italy over the last fifty years. In particular, we will focus on the determining role that five different vantage points (realism, the journey, the unconscious, the other, metacinema) have played in constructing Italian screen images, noting how characters, stories, and viewers are framed from these locations.