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This course provides the most intensive collaborative opportunity for actors and directors to work together in our department. Directors and actors have an equal voice in the collaborative process, with the goals of: Understanding and experiencing one another's roles; Being able to communicate personal perspectives in a group; and Respecting and integrating the perspectives of collaborators.

Continuation of THEATER 362. Costume design theory, conceptualization, and solution of related problems. Design projects, concept papers, journal, sketch book, and appropriate design work for department productions. Prerequisites: 300-level theater courses or equivalent, consent of instructor. May be repeated for credit. Satisfies the Integrative Experience requirement for BA-Theatr majors.

Continuation of THEATER 362. Costume design theory, conceptualization, and solution of related problems. Design projects, concept papers, journal, sketch book, and appropriate design work for department productions. Prerequisites: 300-level theater courses or equivalent, consent of instructor. May be repeated for credit. Satisfies the Integrative Experience requirement for BA-Theatr majors.

Studio. Continuation of THEATER 361; lighting design theory, conceptualization, and solution of related technical problems. Advanced lighting lab and paper projects. Advanced lighting assignments on department productions. Prerequisites: THEATER 361, consent of instructor. May be repeated for credit.

Continuation of THEATER 360. Visualization of multi-scene plays from initial ideas through complete presentation as portfolio projects. Participation in Department productions in drafting, scenic painting, properties design, and construction. Prerequisites: THEATER 360, consent of instructor. May be repeated for credit.

Further work in the preparation of stage characterizations. Classroom projects in roles and scenes. Prerequisites: THEATER 342, consent of instructor.

Classical actor techniques in Shakespearean performance. Students learn the lost art of verse speaking. Performance is placed against the vibrant backdrop of Elizabethan London and its exciting theatre scene.

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