(Offered as HIST 252 [US^P] and WAGS 252.) This course looks at the experiences of Native American, European and African women from the colonial period through the Civil War. The course will explore economic change over time and its impact on women, family structure, and work. It will also consider varieties of Christianity, the First and Second Awakenings and their consequences for various groups of women.

(Offered as HIST 242 [US^P], ARCH 242, and AHRA 133) Using architecture, artifacts, visual evidence and documentary sources, the course examines social and cultural forces affecting the design and use of domestic architecture, home furnishings, and domestic technology in the eastern United States from 1600 to 1960. In addition to providing a survey of American domestic architecture, the course provides an introduction to the study of American material culture.

(Offered as HIST 236 [EU] and EUST 238.)  The Cold War indelibly shaped the second half of the twentieth century.  Spies seemed ubiquitous; nuclear annihilation imminent.  Films such as Red October and the James Bond series forged a Western image of the Soviet Union.  But how were these decades experienced behind the Iron Curtain?  This class explores Soviet history between the end of World War II and the collapse of the USSR.  We will study the roots of the Cold War; the politics of de-Stalinization in the USSR; the unfolding of Soviet influe

(Offered as HIST 234 [EU] and EUST 234.)  This course will explore the history of Nazi Germany from 1933 to 1945. It will examine the emergence of Hitler and Nazism in Germany, Nazi ideology and aesthetics, Nazi racial policies, daily life in the Third Reich, women under Nazism, resistance to the Nazis, Nazi foreign policy and World War II, the Holocaust, and the Nuremberg War Crimes Trial. Class participants will also discuss themes that range beyond the Nazi case: How do dictatorships function? What constitutes resistance? How and why do regimes engage in mass murder?

(Offered as HIST 190 [ME^P] and ASLC 126 [WA].) This course surveys the history of the Middle East from the outset of the Islamic period to the beginning of the modern period. It is divided into the following segments: the formative period of Islam, the classical caliphates, the classical courts, the Mongols, and the great empires of the Ottomans and the Safavids.

(Offered as HIST 171 [AS^P] and ASLC 124 [C].) A survey of Chinese history from ancient times to the eighteenth century. We will focus on texts and artifacts to explore the classical roots and historical development of Chinese statecraft, philosophy, religion, art, and literature.

(Offered as HIST 160 [LA^P/AF^P] and BLST 191 [CLA/D].) This course maps the range of black experiences in Latin America and the Caribbean from the emergence of Atlantic slave-based economies in the sixteenth century to the 1844 slave conspiracy of La Escalera in Cuba. It treats the Atlantic Ocean as a crossroads of diverse cultures and as a point of reference for understanding the condition of Africans and people of African descent.

Migration is integral to the human experience, having become more common as our global economy encourages the free movement of people and ideas. About twenty percent of all people living in Germany today have a migration background, making life between cultures central to the ongoing discussion “What is German?” Over the centuries, many foreign-born persons immigrated into the German lands, and Germans fled from their home country, either to escape political repression or to look for better opportunities.

(Offered as GERM 365 ARCH 365, and EUST 365.) This is a course about what happens to difficult memories: memories that are intensely personal, but made public, memories that belong to communities, but which become ideologically possessed by history, politics, or the media. How are memories processed into memorials? What constitutes a memorial? What gets included or excluded? How is memory performed in cultural objects, spaces, and institutions? What is the relationship between the politics of representation and memory? Who owns memory? Who is authorized to convey it?

An examination of cultural developments in the German tradition, from the Early Middle Ages to the rise of Prussia and the Napoleonic Period. We shall explore the interaction between socio-political factors in German-speaking Europe and works of “high art” produced in the successive eras, as well as Germany’s centuries-long search for a cultural identity.