T-Decolonizing Camera

Throughout this 7-week course, students work towards developing an understanding of decolonization as it pertains to the camera and photographic processes. They spend time with texts that engage the camera and its role in the creation and upholding of systems pertaining to race and power. The readings are supplemented by rigorous experimentation with alternative photographic processes, including, but not limited to cameraless processes such as cyanotypes, solar prints, and anthotypes.

T-Decolonizing Camera

Throughout this 7-week course, students work towards developing an understanding of decolonization as it pertains to the camera and photographic processes. They spend time with texts that engage the camera and its role in the creation and upholding of systems pertaining to race and power. The readings are supplemented by rigorous experimentation with alternative photographic processes, including, but not limited to cameraless processes such as cyanotypes, solar prints, and anthotypes.

Studio Art Foundations

This cross-disciplinary studio course involves two-dimensional, three-dimensional and time-based approaches. Students are introduced to a range of conceptual and practical frameworks for making and thinking about art. This course is strongly recommended for students considering the art major. By emphasizing visual thinking, risk-taking and critical reflection, this course also has relevance for other disciplines. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15.

Studio Art Foundations

This cross-disciplinary studio course involves two-dimensional, three-dimensional and time-based approaches. Students are introduced to a range of conceptual and practical frameworks for making and thinking about art. This course is strongly recommended for students considering the art major. By emphasizing visual thinking, risk-taking and critical reflection, this course also has relevance for other disciplines. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15.

Studio Art Foundations

This cross-disciplinary studio course involves two-dimensional, three-dimensional and time-based approaches. Students are introduced to a range of conceptual and practical frameworks for making and thinking about art. This course is strongly recommended for students considering the art major. By emphasizing visual thinking, risk-taking and critical reflection, this course also has relevance for other disciplines. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15.

Drawing I

An introduction to visual experience through a study of the basic elements of drawing. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 18. Instructor permission required.

Drawing I

An introduction to visual experience through a study of the basic elements of drawing. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 18. Instructor permission required.

Drawing I

An introduction to visual experience through a study of the basic elements of drawing. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 18. Instructor permission required.

Intro to Digital Media

An introduction to the use of digital media in the context of contemporary art practice. Students explore content development and design principles through a series of projects involving text, still image and moving image. This class involves critical discussions of studio projects in relation to contemporary art and theory. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 14. Instructor permission required.

Colq:T-Ink & Brush

How should ancient East Asian painting and calligraphy, created primarily with ink and brush, be read? What were the typical themes and styles? Who were the artists and their audiences? Why did they venerate certain works of art over others? To answer these questions, this course examines masterpieces of Chinese painting and calligraphy from the Six Dynasties (220-589) to the Yuan Dynasty (1279-1368).
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