Art and Code

This studio course explores the creative possibilities of code-based art. Students explore interactive artwork using both analog and digital processes; learn computer programming fundamentals in an arts context; and gain an understanding of procedural, generative, and algorithmic logic as seen within a range of art and design practices. While we will be working in the Web browser with p5.js, a JavaScript framework built with artists and designers in mind, the skills learned in this class can be applied to a variety of programming languages and softwares.

Paulina Baltazar

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Primary Title:  
Assistant Director of Affinity Engagement and Giving
Institution:  
Amherst College
Department:  
Alumni Relations
Email Address:  
pbaltazar@amherst.edu
Telephone:  
+1 (413) 542-8342
Office Building:  
Smith House
Office Room Number:  
Room 229

Independent Study

In this class, students will acquire hands-on and/or applied experience in diverse aspects of the research process in any field of Chemistry under the direction and supervision of a faculty advisor. Typically, these projects are related to the research program of the advisor. Student experiences often include: familiarizing themselves with a research topic, generating interesting questions, designing experiments, acquiring technical and instrumentation skills, collecting and analyzing data, writing and/or presenting their results.

Intro to Black Sexual Cultures

This course examines the ways in which race, gender, and class have shaped the experiences of people of African descent. It explores how the concept of sexuality offers a unique lens for rethinking both historical and contemporary discussions on the formation of Black identity and personhood, while being particularly attentive to a queer archive. By prioritizing Blackness, the course critically engages with the interconnections between race, gender, and sexuality, aiming to separate whiteness from LGBTQ+ studies and heterosexuality from Black studies.

Writing the Black Self

This course explores the idea of "the self" and "the subject" by reading autobiographical and memoir writing by Black authors. Through an engagement with some criticism on the role of slavery in staffing the sense of self-possession accorded to the individual subject, we will think together about how autobiographical forms of writing function in the tradition of black thought and letters.
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