Intro to Programming

A complete introduction to computer programming using the Python language. Topics include coverage of all the supported data types and program code structures, functions (up through lambda expressions and recursion), reasoning about and debugging existing code, implementation of custom libraries, selection of data structures, and the fundamentals of object-oriented programming.

Theory & Practice of Comp. Lit

Comparative Literature as literary theory and as academic practice. Nineteenth-century background and the rise of "literary studies"; traditional concepts of influence, periods, themes, genres, "extraliterary" relations, translation studies, and their development in modern theory. Questions of textuality, canonicity, cultural identity, the politics of cross-cultural literary images, metatheory, and institutional setting as they affect current practice.

S- Sociology of Film

A survey of film and media studies texts of Marxist, neo- and post-Marxist inspiration: the writings of SM Eisenstein, Walter Benjamin, Bertolt Brecht, the Frankfurt School (esp. Theodor Adorno, Max Horkheimer), Ernst Bloch, Roland Barthes, Raymond Williams, Fredric Jameson, Jacques Ranciere, Paul Coates, Lynn Spigel, John MacKay, Michael Cramer. Films under scrutiny will include early Soviet cinema, classical Hollywood genre films (High Noon and Johnny Guitar), European New Wave films (from France, Poland, the Soviet Union), New Hollywood popular fare (e.g.

S-Race,Gender&Sexuality/Transl

This course takes a critical look at issues of race, gender, and sexuality both in translated texts and in the translation profession. Readings will include: translation studies scholarship addressing race, gender, and sexuality; example translations dealing with these issues; and scholarship from critical race and ethnic studies and gender and sexuality studies.
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