Departments may offer a course known as SPECIAL TOPICS in which a student or a group of students study or read widely in a field of special interest. It is understood that this course will not normally duplicate any other course regularly offered in this curriculum and that the student will work in this course as independently as the instructor thinks possible. A Special Topics course may be elected in any semester. The course should be given a unique name that will be recorded on the student’s transcript.

A course in integrating previously studied skills, while developing collaborative and leadership roles in the making of Theater and Dance works, within the Department’s producing structure.  With permission, enrolled student will accept a specific assignment within a departmental production team. A half course.

Admission with consent of the Chair. Not open to first-year students. Fall and spring semesters. Professor Woodson.

How to handle overenrollment: null

This is an intermediate/advanced-level course in contemporary dance technique with a primary focus on movement practice. Using the studio as a laboratory, we will embody increasingly complex and dynamic movement that investigates clarity, freedom, adaptability, and artistry and challenges stamina. Additionally, contemporary dance’s roots and influences will be acknowledged and applied through movement exploration. These include the borrowing and fusing of movement vocabularies from jazz, modern, hip hop, and improvisational dance forms like contact improvisation.

Departments may offer a course known as SPECIAL TOPICS in which a student or a group of students study or read widely in a field of special interest. It is understood that this course will not normally duplicate any other course regularly offered in this curriculum and that the student will work in this course as independently as the instructor thinks possible. A Special Topics course may be elected in any semester. The course should be given a unique name that will be recorded on the student’s transcript.

(Offered as HIST 376 [AS/TC/TE/TR/TS/], ASLC 376 [SA] and SWAG 377) This course explores how categories of sex, gender, and the body have been configured in South Asian history. We will draw upon primary sources including texts, images, films, and documentaries. We will also read scholarly literature that explores South Asian history through the analytics of sex, gender, and body.

(Offered as HIST 348 [US/TR/TS] and SWAG 348) This seminar will explore the intersections of gender, migration, and labor, with a particular focus on Asian American women in the United States (broadly defined to include the U.S.’s territories and military bases), from 1870 to the present. Through transnational and woman-of color feminist lenses, we will investigate U.S.