(Offered as BLST 347 [US] and SWAG 347) From the aftermath of the Civil War to today's "global war on terror," the U.S. military has functioned as a vital arbiter of the overlapping taxonomies of race, gender, and sexuality in America and around the world. This course examines the global trek of American militarism through times of war and peace in the twentieth century. In a variety of texts and contexts, we will investigate how the U.S.

(Offered as FREN 342 and SWAG 342) Prostitutes play a central role in nineteenth-century French fiction, especially of the realistic and naturalistic kind. Both widely available and largely visible in nineteenth-century France, prostitutes inspired many negative stereotypes. But, as the very product of the culture that marginalized her, the prostitute offered an ideal vehicle for writers to criticize the hypocrisy of bourgeois mores.

(Offered as BLST 294 [D], SWAG 294 and EUST 294) This research-based seminar considers the enduring presence of people of African descent in Europe from the nineteenth century to the contemporary moment, a fact that both confounds and extends canonical theories of African diaspora and black internationalism.  Focusing particularly on the histories of black people in Britain, Germany, and France, this course will take an interdisciplinary approach in its study of the African diaspora in Europe.

(Offered as HIST 252 [US/TE/TR/TS/C] and SWAG 252) What can we learn about MLK and Malcolm X and from Magneto and Professor X? What can we learn about gendered and racialized depictions within comic books? As a catalyst to encourage looking at history from different vantage points, we will put comic books in conversation with the history of race and empire in the United States.

(Offered as AMST 240 [Pre-1900], EDST-240 and SWAG 243) From Longfellow’s Hiawatha and D.H. Lawrence’s Studies in Classic American Literature to Disney’s Pocahontas and more recently Moana to James Cameron’s Avatar, representations of the Indigenous as “Other” have greatly shaped cultural production in America as vehicles for defining the nation and the self.

(Offered as ARHA 146, EUST 146, and SWAGS 113.)  We will consider the multifarious and resplendent ways dreams have been given form across centuries, cultures, and media. Our paintings, prints, films, and texts will include those by Goya, Jung, Freud, van Gogh, Gauguin, Kahlo, Frankenheimer, Kurosawa and others.

Limited to 20 students. Spring semester.  Professor Staller.

How to handle overenrollment: Preference to sophomores, then juniors, then seniors, then first-years (who will have another chance to take it).

Departments may offer a course known as SPECIAL TOPICS in which a student or a group of students study or read widely in a field of special interest. It is understood that this course will not normally duplicate any other course regularly offered in this curriculum and that the student will work in this course as independently as the instructor thinks possible. A Special Topics course may be elected in any semester. The course should be given a unique name that will be recorded on the student’s transcript.