In this course, we will engage in a collaborative, creative process to generate an original choreographic work. We will utilize both embodied and traditional scholarly research to inform and support the emergence of our collective creation and locate our work within a broader historical and cultural context. Students will have the opportunity to increase their expressive range, technical skills, and versatility as performers while also deepening their understanding of shared artistic processes.

This course is designed to focus on the movement aspect of hip hop culture. Dance in the tradition of B-Boys and B-girls while learning a wide variety of hip hop movement. From the old school "bronx" style to commercial hip hop, learn a wide range of hip-hop vocabulary in a course emphasizing group choreography, floor work, and partner work. No previous dance experience is necessary. Class will incorporate funk, street, b-boy/b-girl, and house elements to stretch and tone the body.

The study and practice of contemporary movement vocabularies, including regional dance forms, contact improvisation and various modern dance techniques. Objectives include the intellectual and physical introduction to this discipline as well as increased body awareness, alignment, flexibility, coordination, strength, musical phrasing and the expressive potential of movement. The course material is presented at the beginning/intermediate level.  A half course.  Because the specific genres and techniques will vary from semester to semester, the course may be repeated for credit.

A first college-level course in the fundamentals of acting, with an emphasis on the connections between dramatic action and character. Students learn how to analyze dramatic texts and bring them to life through a collaborative process, and by using body, voice and imagination. Classwork includes regular exercises designed to develop acting craft. Homework includes memorization, regular rehearsals and relevant reading, alongside practical research and short writing in various modes. Assignments progress toward realizing performed scenes.

An introduction to methods of visual research and visual creativity for textual, narrative, and performance interpretation. The course is conducted in a format combining discussions, creative play, student presentations, and collaborative critique. Class discussions and readings include the theoretical basis of a range of historical theatrical conventions, from Aristotle through Robert Wilson. Class exercises in perception and analysis build skills culminating in the realization of three-dimensional and story-boarding projects.

An introduction to movement as a language and to dance and performance composition. Students will explore and expand their individual movement vocabularies by working improvisationally with weight, posture, gesture, patterns, rhythm, space, and relationship of body parts.

Double course. Open to senior majors in Sexuality, Women’s and Gender Studies who have received departmental approval.

Spring semester. The Department.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: an emphasis on written work, readings, and independent research. They will be required to meet regularly with the professor.

Open to senior majors in Sexuality, Women’s and Gender Studies who have received departmental approval.

Spring semester. The Department.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: an emphasis on written work, readings, and independent research. They will be required to meet regularly with the professor.

This seminar uses feminist theory and methods to consider scientific practice and the production of scientific knowledge. We will explore how science reflects and reinforces social relations, positions, and hierarchies as well as whether and how scientific practice and knowledge might be made more accurate and socially beneficial.

In this course we will investigate contemporary feminist thought from a variety of disciplinary perspectives. We will focus on key issues in feminist theory, such as the sex/gender debate, sexual desire and the body, the political economy of gender, the creation of the "queer" as subject, and the construction of masculinity, among others. This course aims also to think through the ways in which these concerns intersect with issues of race, class, the environment and the nation.