The effects of environmental problems, from climate change, to water contamination, to the depletion of fisheries, are felt acutely at the local level. But their underlying causes are often global: coal-burning power plants in China affects sea-level rise near Miami, overfishing by European fleets off the coast of Africa affects bush meat hunting in the Congo Basin, and deforestation in Indonesia creates forest fires that affect all of Southeast Asia’s air quality.

Understanding the connections between climate science and the societal impacts of climate change is key to addressing the global climate crisis. This course will critically examine climate change drivers, impacts, and solutions from the scientific and societal perspectives. Through lecture, discussion, and project work we will examine environmental responses to climate change, communication within the scientific community and by stakeholders, and adaptation and mitigation response strategies.

(Offered as HIST 104 [TR/c] and ENST 220) This course considers the ways that people in various parts of the world thought about and acted upon nature during the nineteenth century. We look historically at issues that continue to have relevance today, including: invasive species, deforestation, soil-nitrogen availability, water use, desertification, and air pollution.

What is ‘the environment’ and why does it matter? What are the environmental impacts of “business as usual”? What kinds of environmental futures do we want to work towards and what are the alternatives? In this course, we will explore these and other questions that examine how and why we relate to the environment in the ways that we do and the social, ecological and ethical implications of these relationships.

What is ‘the environment’ and why does it matter? What are the environmental impacts of “business as usual”? What kinds of environmental futures do we want to work towards and what are the alternatives? In this course, we will explore these and other questions that examine how and why we relate to the environment in the ways that we do and the social, ecological and ethical implications of these relationships.

What is ‘the environment’ and why does it matter? What are the environmental impacts of “business as usual”? What kinds of environmental futures do we want to work towards and what are the alternatives? In this course, we will explore these and other questions that examine how and why we relate to the environment in the ways that we do and the social, ecological and ethical implications of these relationships.

Students intending to continue independent work begun in ENGL 498 are required to submit a five-page prospectus describing in detail the shape of the intended project along with a substantial writing sample from the work completed in ENGL 498. Students beginning a new project who wish to apply for ENGL 499 must submit a five-page description and rationale for the proposed independent study.

This course introduces students to the basic concepts and methods of literary and critical theory, a body of work that explores and critiques modern assumptions about truth, culture, power, language, representation, subject-formation, and identity.

(Offered as ENGL 488 and FAMS 415) Moving image and audiovisual media frequently assume a fully able subject despite the infinite variety of human capacities and disabilities. This course will acquaint you with historical and contemporary interventions by disabled scholars, makers, and activists that reframe access as a fundamental principle of an inclusive media ecology, as well as an aesthetic, narrative, and formal challenge for media makers.

(Offered as ENGL 484 and FAMS 424) Sometimes referred to as the “silver era” of US film production, the 1970s were a period of aesthetic, technological, and cultural transformation. New “auteurs” emerged as both mavericks and commercial success stories. Independence reigned supreme for some, while others helped to usher in the contemporary blockbuster. At the same time, scholarly study of film was steadily increasing, experimenting with new disciplinary methods, waging debates, and often distancing itself from popular critical writings.